Just Another... Book Crush (#18): Crimson Bound by Rosamund Hodge

Just Another...Book Crush! is a monthly feature where I invite an author whose book I've recently reviewed and loved to write a guest post and share their three latest book crushes. It's a feature I'm starting mostly because I'm often very shy to approach authors, especially ones I admire, and also because I love reading guest posts since, more often than not, they convince me to pick up a book even when the reviewer cannot. 

Today on the blog I am thrilled to be re-welcoming Rosamund Hodge back to discuss her sophomore novel, Crimson Bound, which I actually found to be even better than her debut, Cruel Beauty, which I loved. Hodge has a talent--and the courage--to write unlikable female characters, ones who don't always make the moral of decisions. I am head-over-heels in love with her blog post today and I hope you all will be too! 

When Rachelle was fifteen she was good—apprenticed to her aunt and in training to protect her village from dark magic. But she was also reckless— straying from the forest path in search of a way to free her world from the threat of eternal darkness. After an illicit meeting goes dreadfully wrong, Rachelle is forced to make a terrible choice that binds her to the very evil she had hoped to defeat. Three years later, Rachelle has given her life to serving the realm, fighting deadly creatures in an effort to atone. When the king orders her to guard his son Armand—the man she hates most—Rachelle forces Armand to help her find the legendary sword that might save their world. As the two become unexpected allies, they uncover far-reaching conspiracies, hidden magic, and a love that may be their undoing. In a palace built on unbelievable wealth and dangerous secrets, can Rachelle discover the truth and stop the fall of endless night? Inspired by the classic fairy tale Little Red Riding Hood, Crimson Bound is an exhilarating tale of darkness, love, and redemption.

Misery Loves Company: Why I Wrote Two Guilty, Self-Hating Heroines

When you have a book about to be published, you start thinking of all the reasons that people might not like it. You ponder all the points in the book where a reader might demand, "But why did you do that?" And you try to come up with a few good answers.

At least, I do. So I've been conscious for a long time that there are a lot of similarities between Rachelle, the heroine of Crimson Bound, and Nyx, the heroine of Cruel Beauty. They both struggle with guilt and self-hatred. They both think that they're unworthy of love. And they both use a lot of anger to cope with that.

Why did I write a second angry, guilty, self-hating heroine? 

Because I wasn't done yet.

I like writing about guilt and self-hatred because . . .  well, for one thing, it brings the DRAMA like little else.

But I also like writing about it because it's a way to get at some fundamental human issues. Who am I? Who should I be? How can I be loved? Those are questions that we all face, and those are the questions at stake when you're writing a character who's dealing with guilt.

And I wrote two guilty heroines because I wanted to write two different sets of answers to those  questions.

If I had to summarize Nyx's story, it might be: "You're not as bad as you think you are." Nyx hates herself because she's full of anger and resentment--at her father, for promising her to a demon, at her sister, for escaping that fate, and really at the whole world, for letting her be in such an awful position. Over the course of the novel, she learns to be kinder to the people around her--but she also learns to accept her own anger, to stop hating herself for it, and sometimes to embrace it.

That isn't Rachelle's story.

Because the reason that Rachelle hates herself? The evil, supernatural powers of the Great Forest offered her a choice: kill an innocent, or die. She killed and lived. And there were a whole bunch of mitigating circumstances--she didn't accept that choice without a fight--but at the end of the day, somebody was dead. She did it.

I wrote about Rachelle because I wanted to write a story about the question, "What if you are as bad as you think you are?"

You hear a lot about needing to "forgive yourself"--in novels, TV, and inspirational blog posts.  But when there's an example of  "forgiving yourself," usually it's all about realizing that what you did wasn't so bad.  Or that you were trying your best. Or that you really didn't harm anyone in the end. Or that at least you're different now, hooray, so let's just wave our hands and ignore what happened earlier.

And quite often, that's exactly what you need. I know that a lot of the time when I start wallowing in self-hatred, it's over something absolutely inconsequential, where I did try my best and anyway nobody will ever know the difference. Sometimes you really just need to realize that you're not as bad as you think you are.

But not always. Sometimes you really have done something awful. And I used to struggle a lot during those times, because I felt like forgiving myself would be saying that what I had done was okay. It would be denying my own principles of right and wrong, and I loved my principles far more than I loved myself, so I figured it was just time to board the guilt train.

If you had asked me, of course I would have said that forgiveness didn't mean making excuses; I would have told you that in fact, forgiveness can only exist when somebody has really done wrong. I would have sworn that anything could be forgiven.

I would have said that, and thought that, and defended that to the death. But I often had hard time believing it.

So I wrote Rachelle. At the start of Crimson Bound, she's in a similar position. She's done something wrong, and she hates herself, and she clings to that self-hatred because it is the only thing she has left. The Great Forest took away her dreams of courage and heroism; it took her family and friends; it took away her innocence and her sense of self.  As long as she hates herself for being what the Forest made her, she's still a little bit free of it.

Then I gave her one last chance to save the world from the power of the Great Forest. I gave her a few people who were willing to believe in her. And I made myself a promise: no matter what happened on her journey, she would get to keep her principles. I would never, ever make her say, "That wasn't so bad," as the price for finding peace.

I think it ended up making a pretty interesting story. 

Just Another... Book Crush! 

1. The Winner's Crime by Marie Rutkoski

2. Prairie Fire by E. K. Johnston

3. The Goblin Emperor by Katherine Addison

Thanks for stopping by, Rosamund! I love, love, love this post--it exemplifies so many of the ideals I want to see in more YA heroines, which is why Rosamund Hodge is one of my favorite authors, even after just two books! What did you think?

Review: Iced by Karen Marie Moning

Title: Iced (Dani O'Malley, #1; Fever, #6) 

Author: Karen Marie Moning

Rating: 2 Stars

Iced is a shockingly disappointing installment from Karen Marie Moning. Honestly, I can't believe this is the same author who wrote the first five books of the Fever Series, charming readers with her impeccable plotting and honest narration. While there are a plethora of issues with Iced, many of which have been discussed at length by earlier readers, the crux of my problem with this novel is not Dani or her narration; it's the flimsy plot, the unnecessary glimpses into the minds of characters who offer nothing to the tale, and the cheap tactics by which Moning distinguishes the "good" guys from the "bad" ones.

Although Iced could have easily been set a few years after the end of Shadowfever, mostly to give us a narrator who isn't fourteen-years-old, this novel takes places shortly after the events of the first five Fever books. Dani, now estranged from Mac, is captured and blackmailed brutally by Ryodan who forces her to help him discover how--and why--parts of Dublin are slowly being iced over. If it wasn't bad enough that Dani is being bullied by Ryodan, she has to contend with Christian, whose transformation into an Unseelie Prince seems to be tampering with his sanity, all while trying to enjoy her childhood with the people she actually wants like Dancer, a genius kid who is one of Dani's only true friends.

While Dani's narration can take some time to get used to, I have to admit that I actually like her. Seriously, I have nothing but respect for Dani. She's young, talented, and thrown into a world where she's the smallest fish--not to mention the fact that Mac, who was like an older sister to her, has now abandoned her. Dani may be reckless and naive, but she does the best she can in the circumstances she's thrown in. Moreover, she keeps a clear mind and unlike other characters in the novel (*ahem*, Jo!) she is able to see Ryodan and Christian for what they are. Ryodan, for all the swooning readers do over him, is, plain and simple, a bully. He secures Dani's cooperation by blackmailing her and hiring Jo as a result of that transaction and, for that, Dani detests him. She does her best to maintain her freedom and sense of independence and, in doing so, often violates Ryodan's many rules which allow him to keep an eye on her. Yet, despite the fact that Dani tells everyone who will listen that Ryodan is bad news, out of everyone else in this book, he's possibly the adult that treats her best. Which, honestly, is despicable. Ryodan is likable simply because in comparison to Christian, who is a full-fledged pedophile, he is a saint. Ryodan doesn't sexualize Dani and though he is possessive of her, he never crosses the lines that Christian does.

Speaking of Christian, I feel genuinely sorry to see him have sunk this low. Back in the day, Christian was hot. I mean, we all swooned over this guy. Now? Ick, you can't get me out of Christian's head any faster! Moning includes one too many chapters from Christian's perspective and it's beyond disturbing. Not only is Christian obsessed with Dani, thinking about her constantly and trying to convince her that someday they will be together, but even the actions he completes that have nothing to do with Dani are disturbing. I just feel sad that Moning felt compelled to mold him into a sick, genuinely reviling character. Thus, in comparison to Christian, I can completely see why readers are falling head-over-heels for Ryodan. I'd prefer anyone to Christian. Yet, that doesn't negate the fact that Ryodan isn't exactly Mr. Nice Guy and though I suspect I might grow to like him more as the series progresses--after all, that was the case with Barrons, too--I'm not holding my breath.

Characters aside, Iced is a novel composed of filler pages. Not much happens in such a hefty volume and the fact that Ryodan requires Dani's help is a flimsy excuse for a plot to be built upon. It isn't until the last hundred, or so, pages that the plot finally picks up and Iced ends with a bang. Hopefully, this means that Burned will be far more entertaining and far less cringe-worthy. At any rate, I'm hoping that a healthy dose of Mac and Barrons can reclaim the magic of the Fever Series. While Moning's novels often deal with brutal, horrific themes at least they've had an adult protagonist cope with those situations. Dani, at fourteen, is just too young a character and to expect her to be on par with Mac, physically and particularly emotionally, isn't fair. What's more, I found that Mac's story is an emotionally compelling one: her sister has been murdered and Mac wants revenge. With Iced, the motivations feel cheap and lack depth. Dani's backstory certainly pulls heartstrings but her past has little to do with her present.

I knew, from the mixed reviews--many of them unhappy ones--that Iced wasn't going to be a favorite of mine. I just hoped, foolishly perhaps, that knowing what to expect would make the experience of reading this far more tolerable. I guess...not. Iced is slow, torturous, and not what I would expect after a five fast-paced, action-filled novels with revelations and plot twists around every corner. Needless to say, if Moning plans to keep fans reading this spin-off, Burned will need to be a really good read.

Update: Burned is good! You can read my mini-review of it HERE. 

Review: Prisoner of Night and Fog by Anne Blankman

Title: Prisoner of Night and Fog (Prisoner of Night and Fog, #1) 

Author: Anne Blankman

Rating: 3.5 Stars

I only truly began to fall for this novel towards the end. Gretchen, the protagonist of this debut whose relationship with Adolf Hitler is intimate enough that she addresses him as Uncle Dolf, reads far younger than her age for much of this novel. Prisoner of Night and Fog chronicles her much needed wake-up call as she finally recognizes the lies that she has been fed all her life. It isn't until almost after half-way through the tale that she begins to come into her own; formulating her own opinions and leaving behind the teachings of Uncle Dolf.

I thoroughly enjoyed watching Gretchen grow and change remarkably over the scope of this novel. From her former naivety to the bravery she accumulates like a cloak, her character is tremendously inspirational and downright believable as well. Despite aching to free her family from Uncle Dolf's influence as well, Gretchen is nevertheless prone to cracks of vulnerability in her armor. What's more, despite the fact that her profound change is precipitated by Daniel, a Jewish reporter who reveals that Gretchen's father did not die saving Hitler, as she believed, Gretchen's actions are self-motivated. Instead of dismissing Daniel, Gretchen discovers that her father was murdered by a member of Hitler's own party and her steps to discover just who murdered him are not solely a result of Daniel's influence.

Gretchen and Daniel's romance is sweet and nurturing; a support system in a time when they both lack precisely that. Gretchen's family is falling apart, whether it be her older brother who harbors psychological illnesses of his own or her mother, determined to do right by her elder child even if it means sacrificing much of Gretchen's own happiness. Each of these relationships is so nuanced and rich, full of scope and depth, and yet they also align perfectly with history. Many of the characters in this novel are real Nazis and the manner in which Blankman weaves Gretchen's fictional tale alongside Hitler's slow accumulation of power is tremendous. In learning of WWII, we often learn of the Holocaust and the end of the war, not Nazi politics, so the fact that this novel remains intensely political is a welcome surprise.

I didn't expect to enjoy this novel as much as I did. Perhaps if I had, I'd have picked up my ARC sooner. But Gretchen is a heroine I can get behind, just as Daniel is a love interest I can swoon over. It isn't an easy path for these teens but their struggles are realistic, rooted in history, and not without their sacrifices. Although Gretchen's narration reads young, many of the brutal events in this novel are definitely geared towards a more mature set of readers. Blankman provides a detailed explanation of fact and fiction at the closing of this debut which made for fascinating reading, particularly as many of the facts revealed were ones I didn't know myself. She goes into great depths about the psychological mindset of not only Hitler, but many high-ranking Nazi officers, and Gretchen's search for her father's killer brings her face-to-face with a myriad of other realities she is forced to accept. Brilliantly written, Prisoner of Night and Fog is one historical fiction debut you won't want to miss.

Romance Mini-Reviews: Burned by Karen Marie Morning, Still the One by Jill Shalvis, The Kraken King by Meljean Brooks, and Crushed by Lauren Layne

Title: Burned (Fever, #7) 

Author: Karen Marie Moning 

Rating: 4 Stars

Burned hasn't been the most popular book off-late. It seems as if every day I open my Goodreads homepage to yet another slew of negative reviews of this novel, alongside the slightly hesitant positive ones. Despite not enjoying Iced, though, I really did like Burned. It's funny, it's light, and it's entertaining--frankly, I don't ask for much more from my Urban Fantasy. Granted, the synopsis is utterly misleading in that the "drama" between Mac and Barrons is low-key and of little worry, but the new characters introduced in this installment have me salivating to find out where Moning takes this series next. I agree with a lot of the points reviewers have brought up about why this novel isn't nearly quite so good--it takes the easy-way-out in some instances, Mac's PoV isn't always necessary, it goes to great lengths to paint morally ambiguous characters are purely good--but I also didn't feel as if these faults were wholly detrimental to the plot line.

Burned is a fast-paced read, one that even I could get into despite my piles of pending work, and re-visiting these beloved characters was a treat. I'm confident Moning has a plan for the rest of this series and I'm prepared to stick along to find out what it is. After all, if she could smooth away the rough edges of Iced then, surely, she can do anything.

Title: Still the One (Animal Magnetism, #6) 

Author: Jill Shalvis 

Rating: 3 Stars

Release Date: April 7th, 2015

Still the One is, unfortunately, the most disappointing installment I've read in the Animal Magnetism series. Darcy and AJ, the romantic leads at the forefront of this novel, are fascinating characters in their own right. A travel photographer for National Geographic, Darcy has always been a dare-devil, living life to the max. When she meets with an accident that leaves her unable to walk until after intense physical therapy, the course of her life is forever altered. AJ, her physical therapist and brother's best friend, has been there with her through thick-and-thin. So, of course, when she throws herself at him and he rejects her, Darcy is shattered and determined to move on. But AJ is quickly realizing that when it comes to Darcy, he made a huge mistake, and now, he wants her back. At any cost.

Shalvis has an easy way of forcing her characters into your heart and that is no less apparent in Still the One. I adored this heroine, with her prickly nature and tough exterior, all hiding a heart of mush, and this strong and silent hero, whose hurts were so deeply concealed. Darcy and AJ are a perfect match but their love story, full of the push-and-pull that can grate so easily, lost its appeal. Moreover, there are one-too-many tropes used in this one and, ultimately, though I adore these two as individuals, this is one case where I felt as if their relationship was weaker than their separate personalities.

Clearly a must-read for fans, I'm sure Still the One will still satisfy--after all, it's Jill Shalvis. But, nevertheless, I'd lower my expectations for this one, just ever-so-slightly...

Title: The Kraken King (Iron Seas, #4) 

Author: Meljean Brooks

Rating: 4 Stars

Although I harbored my doubts when Brooks announced that The Kraken King would be written in a serialized format, I found myself pleasantly surprised by how effectively it came together as a cohesive novel. The latest in this vividly imaginative steampunk series follows Zenobia Fox, the sister of adventurer Archimedes Fox, and her experiences are no less enthralling than that of her sibling. The Kraken King worked particularly effectively due to its length. It feels longer than her other novels--and rightly so, due to the serial format--but it also allows her to infuse more detail and depth into the world and her characters. The romantic tension is prolonged, a slow-burn that feels so good and the problems that rip these two apart are wholly mental and all the more realistic for it. Of course, Brooks excels at political machinations and introducing new facets to the world she has created, time and time again, so these books are all-round winners through-and-through. If you haven't picked them up yet; do.

Title: Crushed (Redemption, #2) 

Author: Lauren Layne 

Rating: 3.5 Stars

Release Date: April 14th, 2015

While the first novel in this series really is the best--Isn't She Lovely--I enjoyed Crushed far more than I did Broken and the vibrant, unique protagonist of this novel completely won me over. I think what makes this series tricky--or at least the last two installments--is the fact that these protagonists are not nice. They don't fit into pre-defined labels of goodness but they also aren't quite the classic bad boy so it's hard to know how to navigate a lot of the sticky emotions in these books. Moreover, the characters are at that New Adult stage where everything just is overly dramatized, mostly because of the nature of the genre but partly because of the age group as well. While I grew a little impatient with the prolongation of the final HEA--seriously, did we need all of those misunderstandings--I still thought this was an excellent novel from Layne. Her adult series definitely sit better with me but this was a genuinely interesting and original take on a lot of classic tropes in the New Adult genre and the more I think about the nuances Layne added to her work, the more I find to recommend within this series.

Mini-Review: The Glass Arrow by Kristen Simmons

Title: The Glass Arrow

Author: Kristen Simmons

Rating: 3.5 Stars

The Handmaid’s Tale meets Blood Red Road in Glass Arrow, the story of Aya, who lives with a small group of women on the run from the men who hunt them, men who want to auction off breeding rights to the highest bidder. In a world where females are scarce and are hunted, then bought and sold at market for their breeding rights, 15-year old Aya has learned how to hide. With a ragtag bunch of other women and girls, she has successfully avoided capture and eked out a nomadic but free existence in the mountains. But when Aya’s luck runs out and she’s caught by a group of businessmen on a hunting expedition, fighting to survive takes on a whole new meaning.

The Glass Arrow is being lauded as a breath of fresh air in the dystopian genre--and, to some extent, I suppose it is. Yet, while Simmons latest is a vast improvement from her debut trilogy (in my opinion, at any rate), I found myself left wanting at the end. Simmons throws us into a futuristic world where the freedoms women have fought so hard to win are, once again, stripped away. In the world of The Glass Arrow, women are auctioned off for their beauty and virginity, the combination proving to be deadly as wealthy merchants, landowners, and politicians seek females in order to extend their line. Aya, our protagonist who has grown up in the wild, free from civilization's constraints, finds herself captured and awaiting to be auctioned. Determined to escape and return to her family, still somewhere in the wilderness, Aya rebels and finds herself thrown time and time again into solitary confinement.

In solitary confinement, Aya befriends Brax, a wolf pup, and Kiran, a Driver. The Drivers are a separate caste, almost, of people who are said to be born mute. Though Kiran doesn't speak, Aya finds herself slowly growing to trust him. As a heroine, Aya is an inspiration. Not only does she shut down, fight against, and correct the notions of the girls around her--beliefs that they hold about their worth as seen through a man's eyes--but she can hold her own both physically and mentally as well. While she's remarkably similar to kick-ass protagonists like Tris or Katniss who care for their family and freedom above all else, the originality of the realm she survives in sets her apart. Aya isn't a difficult character to like and neither is Kiran. Though the Drivers can be dangerous, and Aya suspects Kiran during their initial meetings, the friendship and trust that build between them extend to the reader as well. While Aya is an open book from the first page to the last, Simmons uncovers the layers to Kiran's character slowly, using his mute-ness to create a dynamic between himself and Aya that is wholly unique. Aya and Kiran's romance is subtle--a true back-burner--and though I yearned for more of it, it is nevertheless utterly satisfying.

The Glass Arrow possesses a scintillating plot line, one that shifts from different settings and introduces a fascinating host of secondary characters at every turn. I couldn't predict the outcome of many of the situations Aya was placed in but I found myself emotionally involved and rooting for her throughout. Yet--and perhaps this is because I attend an all-women's college--I wanted The Glass Arrow to take a stronger feminist stance. Aya is seemingly the only female in this world who wants her own rights and freedoms. Moreover, there is little to no political scheme throughout this story though I would love to see this set-up of this future explored in a manner that isn't traditionally dystopian. While Simmons has created a world full of strife, inequality, and injustice, she doesn't use this as a platform to remark on modern-day issues. Or, at any rate, not enough. I expected this to be a larger-than-life tale and though Aya and Kiran's journey is remarkable and touching, it also stays a little too safe, in my eyes. Simmons doesn't challenge her readers to think or question society--it's all quite black-and-white--and I find myself wondering why she chose such a potentially conflicting backdrop if she didn't intend to spark conversation.

Nevertheless, The Glass Arrow is a fast-paced, entertaining dystopia which is guaranteed to garner emotional attachment. While it didn't reach the full potential I hoped for, I'm keeping my fingers crossed that Simmons returns to this world--much like the authors of These Broken Stars--to more carefully remark on other aspects of this universe. For those who believe the dystopian genre has run dry of ideas, The Glass Arrow will prove you wrong.