Monday, February 3, 2014

ARC Review: Me Since You by Laura Wiess


Title: Me Since You

Author: Laura Wiess

Rating: 4 Stars

Release Date: February 18th, 2014

I'll admit it: I picked up this book for its cover alone. In fact, I've been itching to try a Wiess novel precisely because of her covers. Either they are breath-taking in their beauty or eye-catching in their simplicity. Wiess's latest novel, though not perfect, has certainly ignited a thirst for more of her work. With an effortless writing style, Wiess captures dark, gritty emotions in their rawest form. Granted, her novels are not easy to read - not by a long shot - but they are worth it.

Me Since You is a difficult novel to describe, merely because it a two-fold story. Our novel begins with Rowan Areno cutting class. Rowan's father is a police man and after witnessing horrible crimes day after day, he's more than just a little over protective of his only daughter. After finding her sitting alone in a booth at McDonald's (after her best friend and two cute senior boys ditched her to go to the beach), Officer Areno takes his daughter home and is about to sit her down for a scolding when he receives an urgent call. As the closest one to the scene, Rowan's father cruises out to a bridge where a man is planning to commit suicide with his three-month-year-old baby boy in his hands. Eli, whose father was killed in the army, is also on that bridge, walking his dog. And despite the efforts of Rowan's father, the man jumps and kills himself.

After the incident, Rowan's life is turned upside down. For one, the neighborhood she lives in ostracizes her father for not saving the life of a depressed man. When the video of what transpired leaks online, her father gives in to his inner demons. While life with her father is no longer easy, it is still easier than what comes afterward: suicide. Rowan knows her father loved her and her mother but she cannot understand why he would kill himself. Me Since You explores grief in a deep, visceral manner, both as a recipient and as an outsider. After the incident on the bridge, Rowan struggles to maintain her friendships and push through with school, striking up an easy relationship with Eli who, shockingly, seems to understand her. Just as her life seems to be returning to a state of normalcy, however, her father commits suicide and Rowan shuts herself off from the world. Completely.

Me Since You touches upon the deep-rooted sickness of depression in an engaging manner. We first witness the extent of depression through the eyes of Rowan's father as he struggles to convince a man to live, to let his new-born child live. We see it again through the eyes of Rowan as her father begins to take medication, sees a therapist, and attempts to survive through each day. It isn't easy to see a parent, especially one you believed was constantly strong and a source of support, succumb to weakness. But Rowan's father does his best to get his life back on track. As requested, he takes time off from work. As advised, he goes to talk over his issues with a psychiatrist. As told, he takes anti-depressant pills. And yet, he still commits suicide. After all his efforts and despite the love his family bears for him, he loses his will to live on.

After this horrific action, Rowan needs time for herself. While her romance with Eli - understanding, sweet, calming, gentle - is just on the verge of taking off, she is blinded by her grief and unable to pursue anything more with him. Eli, who lives with his father's death every day, who walks the dog that served in the army with his father, understands better than anyone. Even when Rowan's friends ask her to heal quickly, even when her remaining family pushes her to forgive her father, Eli gives her the space she needs. As such, their romance is a minimal aspect to this novel, but an important one. While they don't heal one another, they do help one another, and the understanding they share due to their traumatic pasts makes them an ideal match.

One of my favorite aspects to this tale, though, is Rowan's healing. Not only does Rowan write letters to her father, voicing her disbelief, her anger, and her sorrow, but the relationship she sustains with her mother is beautifully portrayed. Both these women have been touched by the same grief, but in different ways. Rowan and her mother are healing at different paces and through different mediums. After her husband's death, Rowan's mother takes it upon herself to house stray cats - eleven of them. It is only when her parents - Rowan's grandparents - yell some sense into her that she begins to accept that her husband is truly gone. While Rowan doesn't need to be there for anyone, her mother does need to be there for her which makes that burden of grief all the more painful, in some ways. Wiess charts these issues with grace, though, creating three-dimensional characters we can get behind and emotions we feel, despite not wanting to touch these difficult topics.

Where my criticism with Me Since You arises is in its conclusion. Rowan's father, despite being a meticulous man, fails to leave a suicide note which haunts Rowan. Although she heals, she is unable to fully let go of her grief until, eventually, she does find a suicide note. For me, this felt like a cop-out. In her debut, Courtney Summers writes about a young teenage girl coping with the suicide of her father - a girl who never finds a suicide note, never finds a reason, but still manages to heal. Me Since You seemed to be following this very same and poignant path until the tail-end, which ruined the impact of the story for me. Nevertheless, despite that, this novel discusses the issue of suicide and depression in a heart-felt manner and for fans of issue books, this one covers that scope beautifully - and even beyond.

Sunday, February 2, 2014

Showcase Sunday (#31)

Showcase Sunday is a weekly meme hosted by Vicki at Books, Biscuits and Tea. Its aim is to showcase our newest books or book related swag and to see what everyone else received for review, borrowed from libraries, bought in bookshops and downloaded onto eReaders this week.

For Review:
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I've already read Fitzpatrick's What I Thought Was True and fell head-over-heels in LOVE with it. You won't regret pre-ordering it at all. As for everything else? I can't wait to dive in!

Bought: 
Not only is this one of my favorite trilogies, but it's one of the best. I'm struggling to write a review for this book but just know that is was very, very good.

Borrowed:
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I've heard so much about all three of these books that I had to snatch them up from my library. Also, I'm keeping my fingers crossed that Clean Sweep is a hit for me, especially after Magic Rises which I didn't enjoy.
Audiobooks: 
I don't make my love for Patty Briggs a secret - Mercy Thompson is easily my favorite UF Series out there - so when I saw the audiobooks for another one of her books, I snatched it up. On the other hand, I'm not sure if I can handle listening to a book about serial killers with Game, but I have it on hand if I'm feeling brave enough to try. 

Phew, that's my haul for the past month or so. As you can see, I'm drowning in ARCs (which is actually better for you since I'm also giving them away!). Don't forget to enter to win a gothic romance bundle and while you're here, stop by to check out Rosamund Hodge's guest post concerning bad boys in literature, particularly in her debut, Cruel Beauty. 

And link me up to your posts - I love hauls! :)

Friday, January 31, 2014

Mini-Reviews & Giveaway: Between the Devil & the Deep Blue Sea by April Genevieve Tucholke & Amber House by Kelly Moore


Title: Between the Devil & the Deep Blue Sea (Between, #1)

Author: April Genevieve Tucholke

Rating: 2.5 Stars

...that's it? Are we all sure I received the right book in the mail, because I'm just a little bit confused. Between the Devil & the Deep Blue Sea became a blogging sensation when it first released a few months back and, ever since, I've been curious to try it out for myself. When my copy first arrived, I got through about half the book before turning to other pressing ARCs. Now, having finally found the time to settle back into this story, I've wound up disappointing. For some reason, I expected a lot more to...happen. *scratches head, still confused*

Between the Devil & the Deep Blue Sea excels as the gothic mystery it is marketed as. Not only is the writing beautiful, painting an atmosphere of chilling nights and howling winds, but the imagery Tucholke forces us to conjure, of little children holding sticks and hunting the devil, are spine-tingling. With the exception of this lyrical prose, however, this novel has little to offer. Its protagonist, Violet, is much like any typical heroine who plans to resist the "bad boy" but fails spectacularly. Moreover, I didn't appreciate the manner in which our feelings for Violet are intentionally manipulated. Violet's twin brother, Luke, is a rude misogynist and his girlfriend, Sunshine, essentially exists as a foil to Violet. Both Luke and Sunshine do little to develop the story, but their existence makes Violet seem like a much better alternative character. Frankly speaking, though this method is used by many authors, I'm not a fan of it merely because it doesn't offer many reasons to like the protagonist for who she is, which seems like cheating to me. If you only like the protagonist in comparison to those around her, do you really even like her at all?

River West, the mysterious boy who rents the guest house behind Violet's huge house, is essentially a creep. And an insta-love machine. Although he has never fallen for a girl before, of course he falls for Violet. Why? I still have no clue. And Violet too, who is a sensible teenager (supposedly), takes one look at River and instantly falls for him as well. *gag* While I really liked the moral questions that River's presence brings up - after all, can you really love someone if their actions go against your moral code? - ultimately that wasn't enough to save this novel for me. Between the Devil and the Deep Blue Sea is very similar to most paranormal reads, but its writing style sets it apart, giving it a gothic feel that I really enjoyed. When you strip that away, however, this is nothing but a slow-moving novel with characters that are just a little too familiar.

Title: Amber House (Amber House, #1) 

Author: Kelly Moore, Larkin Reed, Tucker Reed

Rating: 3.5 Stars

Despite its unremarkable beginning, Amber House is a promising start to a new series. In many ways, this novel reminded me of The Dark Unwinding for both books feature a mysterious old house, even more curious tenants, and hidden mysteries. Where The Dark Unwinding relied upon steampunk machines, an "insane" uncle, and unknown towns to further its plot line, this novel features strange twists of time, hushed-up family secrets, and long-forgotten abilities.

Amber House is dull, at first, rather boring and difficult to get through. Once the novel hits its stride, however, it soon delves into an intriguing tale. Sarah, the protagonist of our tale, can see the past. And in Amber House, a building known to preserve echoes of its history, Sarah's abilities thrive as she witnesses pieces of her ancestry come together to reveal truths she never knew about her family. One of the highlights of this novel is the relationship Sarah sustains with her family members. With her autistic younger brother, Sam, she is unfailingly caring, but with her mother, her relationship is tenuous at best. Moore and the two Reeds explore this rift between the two in a complex manner, giving us insight into Sarah's mother's past, which therefore sheds light on her present behavior.

Unfortunately, there is a rather irritating - and unnecessary - love triangle at play here. In fact, it only detracts from the story and causes Sarah to forget her usual sensibility. Quite thankfully, however, the love triangle is resolved in this first installment and will - hopefully - be absent from the sequel. With such a rushed ending, one that leaves behind more questions than answers, I am glad to have the sequel already on hand. Needless to say, I won't be wasting much time to find out just where Sarah's journeys take her next.

Win a Gothic Romance Bundle of Books! 
In preparation for the month of February - the month of romance! - I will be picking two winners and each winner will choose a Gothic Romance Bundle of their choice from the list below:
Bundle #1: Of Old Houses
ARC of Between the Devil and the Deep Blue Sea
Brand New Hardcover of Manor of Secrets
Bundle #2: Of a Series
ARC of Amber House
Brand New Hardcover of Neverwas, sequel to Amber House

US ONLY
Ends 2/10
a Rafflecopter giveaway

Thursday, January 30, 2014

Just Another...Book Crush (#11): Cruel Beauty by Rosamund Hodge

Just Another...Book Crush! is a monthly feature where I invite an author whose book I've recently reviewed and loved to write a guest post and share their three latest book crushes. It's a feature I'm starting mostly because I'm often very shy to approach authors, especially ones I admire, and also because I love reading guest posts since, more often than not, they convince me to pick up a book even when the reviewer cannot. 

I've made no secret of my love for Rosamund Hodge's debut novel, Cruel Beauty. From the its ground-breaking heroine to its vivid re-imagination of the fairy tale "Beauty and the Beast," I simply adored this book. And yet, one of my favorite aspects was, of course, the romance. Any "Beauty and the Beast" love story is one I watch out for but the blooming relationship between Ignifex and Nyx is of a dark nature merely because their personalities are both so unforgiving. Rosamund Hodge had quite a bit to say about how she went about crafting the enigmatic personality of Ignifex and, trust me, it's quite the post to kick off the year with.
Based on the classic fairy tale Beauty and the Beast, Cruel Beauty is a dazzling love story about our deepest desires and their power to change our destiny. Since birth, Nyx has been betrothed to the evil ruler of her kingdom-all because of a foolish bargain struck by her father. And since birth, she has been in training to kill him. With no choice but to fulfill her duty, Nyx resents her family for never trying to save her and hates herself for wanting to escape her fate. Still, on her seventeenth birthday, Nyx abandons everything she's ever known to marry the all-powerful, immortal Ignifex. Her plan? Seduce him, destroy his enchanted castle, and break the nine-hundred-year-old curse he put on her people. But Ignifex is not at all what Nyx expected. The strangely charming lord beguiles her, and his castle-a shifting maze of magical rooms-enthralls her. As Nyx searches for a way to free her homeland by uncovering Ignifex's secrets, she finds herself unwillingly drawn to him. Even if she could bring herself to love her sworn enemy, how can she refuse her duty to kill him? With time running out, Nyx must decide what is more important: the future of her kingdom, or the man she was never supposed to love.
Sometimes I wonder why I wrote CRUEL BEAUTY. 

I mean, I know why I wrote it: because the idea crashed into my head and it was so much fun, I couldn’t resist, even though I was still recovering from a ten-year period of trying to squash all my melodramatic storytelling tendencies. (It turns out, if a story isn’t melodrama, I can’t write it.)

But the thing that baffles and amuses me about CRUEL BEAUTY is that it’s a bad boy romance. A really bad boy romance. My heroine falls in love with Public Enemy Number One: the demon prince who rules her country and holds it captive.

And I’ve always hated bad boys. 

What’s attractive about somebody who’s arrogant, or manipulative, or cruel? Sure, he might be a good kisser, but why would you want to be around him? Or even if you enjoyed being around him, how could you ever respect him?

When I was a teenager, my hatred was absolute. Bad boys were bad, wicked, evil people, and it made me furious when they were rewarded with dating the heroine when they ought to be punished until they were SORRY.

(I was a little judgmental as a teenager.)

But time went on and I read more stories and I became aware that I actually kind of liked a few bad boy characters. And yet some infuriated me as much as ever. I didn’t think I was simply losing my principles--though I was learning to be a little less judgmental--so I started trying to figure out why some of them worked and some of them made me long for murder.

Finally I realized that what it came down to was this: is the bad boy treated as a person or not?

People make choices. Those choices, and their consequences, always matter. But too often, choices don’t matter for bad boys.

I once read a novel where the male love interest—in addition to being creepily pushy with the heroine—had slept with a million girls, and respected none of them, and treated some of them really horribly. But it was all okay, because he was just so incredibly hot and he really,really loved the heroine! Like, for real this time! If he said so, it must be true!

There are a million feminist critiques you could have made of this hero and the heroine’s spineless acceptance of him. But you could have also made this critique: he wasn’t a person. He was a sex god floating on the astral plane, and nothing he did had any consequences, so none of it mattered.

That’s not just morally problematic, it’s boring. Where is the drama in someone whose choices don’t mean anything?

But if the bad boy is treated as a person, if what he has done and what he might do matters, then there are a lot of interesting stories you can tell.

I still like sweet, kind, honest boys the best. But here’s what I’ve realized that I like about bad boys:  

(1) Every love story involves the heroine trying to figure out, “Who is this person and can I trust him?” If the love interest has been awful in the past, and might be awful still, that question is a lot more dramatic.

(2) If the bad boy is to be remotely plausible as a love interest, he has to have a redemption arc. And redemption arcs are always deeply interesting to me. How can you change yourself, and how much? How do you deal with the fallout from the person you used to be?

(3) So you’re in love. That’s wonderful. It doesn’t change the consequences of what your wicked-hot boyfriend once did. How do you deal with the things that love doesn’t fix?

(4) How does this forgiveness thing work, anyway?

I love good boys more than bad boys. But I love writing challenges even more. Once I started thinking about how to write bad boys, I couldn’t resist trying.

So that was (partly) how I came to write CRUEL BEAUTY: I was trying to write a bad boy romance that might work for girls who don’t like bad boys. A story with a bad boy who never got excuses and a (somewhat) good girl who never forgot what he’d done, set in a world where every choice they made had serious consequences. A story about learning to love and be loved when neither one of you was entirely lovable.

And also, a story with really hot kisses. (I am not made of stone, okay.)

Wednesday, January 29, 2014

ARC Review: Royally Lost by Angie Stanton


Title: Royally Lost

Author: Angie Stanton

Rating: 2 Stars

Release Date: May 6th, 2014
Dragged on a family trip to Europe’s ancient cities, Becca wants nothing more than to go home. Trapped with her emotionally distant father, over-eager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. That is until she meets Nikolai, a guy as mysterious as he is handsome. And she unknowingly finds herself with a runaway prince. Nikolai has everything a guy could ask for-he's crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have...is freedom. Staging a coup, he flees his kingdom and goes undercover on his own European tour. When Nikolai and Becca meet, it’s their differences that draw them together. Sparks fly as they share a whirlwind of adventures, all the while dodging his royal guard. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say goodbye forever, will his destiny catch up to him, or will they change history forever?
If "The Prince and Me" and "The Lizzie McGuire" movie had a love child, Royally Lost would be it. Frankly speaking, I have nothing against a cute, cheesy, and unrealistic romance - in movies. In books, I find myself rolling my eyes and craving more depth. Stanton's latest is predictable in every way from the coincidental meetings of Prince Nikolai and Becca to their swimming adventures, balcony conversations, and stolen kisses. Unfortunately, I went into this novel expecting something a little more like Just One Day and Wanderlove and, as such, was disappointed by the rather silly love story this novel presented.

Royally Lost isn't wholly lost, though. Stanton provides plenty of historical background to the European countries and landmarks Becca visits, making this journey an authentic one, and, moreover, the sibling bond between Becca and her older brother Dylan is realistically written. Becca's entire family situation, from her behavior after her mother's death to the eventual relationship she is able to form with her younger step-mother, is paced impeccably and although it held potential for more, it did attempt to provide Becca's character with more than just "sun-kissed hair" and classic American looks. Nikolai's situation as well - wanted to escape responsibility, not understanding the necessity for a monarch in the twenty-first century, etc. - all felt true to the age group of this teen, but, again, there were so many lost opportunities in the execution of this plot device.

Stanton hits the nail on the head as she uncovers that teens, during this time period in their lives, have no idea what their purpose is or, for that matter, why they must perform duties they dislike or feel no passion for. In this manner, both Nikolai and Becca are thoughtfully put together, giving rise to a perceptive story of growing up. Or, would have given rise to this novel if Nikolai and Becca weren't so caught up in their romance. While the "secret/undercover prince" concept of this story is - thankfully - not the cause of too much drama/angst, the main focus of both these characters remain each other. When Becca doesn't see Nikolai she's worried about him and vice versa. Instead of discussing their looming futures - Becca's college or Nikolai's impending enrollment to serve his country's military - the conversations between these two are increasingly cheesy. Granted, there is a certain degree of growth to both their characters, but the type of depth, resolution, and ultimate discussion I craved - anything similar to Wanderlove or Just One Day in their exploration of teenage opportunity, scope, and perspective - was sadly missing.

Ultimately, I felt as if this story had the potential to be a much better novel than it was. Although Royally Lost is a delightful story to curl up with as a guilty pleasure or feel-good romance, it does little to improve the gap between the YA and NA genres, failing to incite the type of thought-provoking conversations that other travel stories have done in the past. As such, I just cannot recommend this book. Sorry Royally Lost, but you would have been better off not being found after all...