Review: Golden Son by Pierce Brown

Title: Golden Son (Red Rising, #2) 

Author: Pierce Brown 

Rating: 4.5 Stars

Note: This review is spoiler-free for Red Rising and Golden Son. However, if you are new to this series I recommend reading my review of Red Rising first as it sets up the scope of this world and provides background information about the general plot which this review does not. (You can read my review of Red Rising here.)

I have a LOT to say about Golden Son,--it's just one of those books--but to start with...

1. I experienced HIGH levels of stress while reading Golden Son. Making me care that much for your characters is not cool, Pierce Brown.
&
2. Um, what was that ending? A joke? Because I'm not laughing... I'M CRYING.

Now that that's off my chest I can honestly admit that Golden Son is a sequel that rivals the brilliance of Red Rising and transcends it. While it is still prone to bouts of dramatism, Golden Son amps up the political stakes in this intergalactic world and spares no qualms about destroying, torturing, and killing off every one of your favorite characters. If you thought this was Young Adult, think again. Golden Son begins two years after the events of Red Rising and Darrow, our protagonist, is no mere boy. At twenty-years-old he has come a long way from the sixteen-year-old Red he started out as. Moreover, his time in Gold society has altered his perceptions of the world he lives in. Even in Red Rising, Darrow resisted seeing the world in gray. He wanted to hate Golds and their power; he wanted to fight for Reds and nothing else. By the end of Red Rising, Darrow was forced to grudgingly admit that the world was not quite as black-and-white as he had hoped. In Golden Son, though, he finally understands that this war he's fighting isn't about Red vs. Gold; it's so much more.

In comparison to its predecessor, Golden Son feels more volatile. Darrow is no longer confined and with the entire universe at his disposal, his task seems far more impossible than it ever did before. Brown weaves political power plays alongside epic war battle a la Game of Thrones and every time I think I've got it all figured out, he throws in a curve ball and changes up the game yet again. There isn't a moment to breathe in Golden Son. If Darrow isn't plotting war, engaging in war, or dreaming about war then he's himself; a Red, stripped away of the facade he displays to the world. Although some may argue that the strength of these novels lie in the quickly-paced plot lines which move forward with purpose, I would argue that Brown's true talent shines through in the more quiet, introspective scenes. It isn't often that readers are given a chance to look into the mind of a male narrator but Darrow is a flawed hero that, had I lived in Brown's fictional universe, I'd give my life for.

What I find most remarkable about this series is the fact that Brown has seamlessly created a world of great political divide, strife with violence, yet the humanizing moments are what ultimately linger. Golden Son expands on its cast from Red Rising and though I struggled to remember who was whose son or daughter, the larger host of characters only amplify Darrow's struggles. Whether it be an increasing host of enemies or just the friends Darrow is forced to alienate as he hides the truth of his lineage, Darrow battles his loneliness time and time again. Eo remains a constant in his thoughts; both an inspiration and a guiding compass. Nevertheless, it is her memory which ultimately forces his isolation too. Although Darrow is widely known in the Gold community for his brute strength and battle skill, the Sons of Ares have had little contact with him and the burden of what he has agreed to do is now felt, two long years later. Throughout Golden Son Darrow comes to the realization that, cheesy as it may sound, the truth will set him free. Unless he trusts those around him, they will not linger long enough for him to rely on later.

Golden Son is interspersed with chapters that consist solely of conversation between Darrow and a close friend of his. Those chapters, squeezed between the politics and battles, utterly charmed me. Just as Darrow won over allies, he won me over too. Golden Son emphasizes just how difficult friendships can be: how fickle and fleeting; how we don't realize their worth until they're gone. In his war against Gold, Darrow needs as much back-up and support as he can find. Moreover, if Darrow can convince those around him that lower colors deserve the equality that Gold enjoy, then Darrow is that much closer to changing the world. Slowly, but steadily, Golden Son transforms Darrow's purpose to an even greater one. While Darrow may have started out wanting revenge against Gold, now he recognizes that it isn't Gold who must burn but their society.

Brown writes three-dimensional, flawed characters. No one within these pages is perfect and their imperfections are what make them downright human. I was already attached a decent number of characters from Red Rising but I fell for even more of them in Golden Son. As an author who uses death as a purposeful stab to the heart, I bled while reading Golden Son. Ultimately, it's one big stress fest; wondering who will be the next to die, anticipating who will betray Darrow, trying to figure out the political machinations ahead of time. And yet, that's what makes Golden Son such a thrill to read. Flipping each page more and more quickly in an effort to discover what happens is part of the experience.

One of the most stressful aspects to this novel, though, was the romance. Darrow and Mustang share hints of a love story in Red Rising but in Golden Son, with Mustang in such a pivotal role, their push-and-pull dynamic comes to a head. I know I said it in my review of Red Rising, but Darrow is a feminist male narrator. He respects Mustang, trusts her to make her own decisions, and understands that her strengths are different from his and, as such, she just may be one step ahead of where he is in the game of Gold politics. Mustang is one of my favorite characters precisely because she understands the political situation, seizes the upper hand, and does whatever is necessary to gain it. Unlike so many strong female characters whose purpose molds them into villains, however, she maintains a strong moral compass and winds up bettering everyone at their own game. When it comes to Darrow, though, she refuses to be with someone who continues to hold part of himself back and, despite the fact that their friendship is grounded in equality and their partnership balances out, the possibility of a true relationship remains in question. Mustang and Eo are such strong forces in Darrow's life; women who propel him to be better and convince him that he doesn't need to resort to the depravity of his enemies. Thus, despite the fact that the romance in these novels is so minimal, the romantic interests themselves are integral to creating Darrow.

At one point in the novel, Darrow acknowledges that it is all women who have molded and shaped him to become the person he is. Whether it be his mother who made him the man Eo fell in love with, or Eo who gave him the power to transcend and become the man Mustang fell for, or Mustang who pushed him to be the man others followed. In a world of war and mayhem, dominated by men, the influence of femininity is not forgotten which I, as a female reader, appreciate. What's more, there's a scene in Golden Son where Darrow simply starts crying and the fact that it simultaneously breaks down gender stereotypes while humanizing our protagonist deserves praise, indeed. With Golden Son, Brown has created a rich, heart-felt novel, more science fiction than dystopian, with characters who both maim and inspire. Not only compulsively readable, but also brimming endlessly with themes, messages, and underlying nuances I won't even pretend to be smart enough to pick up, this is not a trilogy to be missed. Knock down The Hunger Games from your shelves if you have to make room for this; it's worth it ten-fold.

Release Day Review: Blue Lily, Lily Blue by Maggie Stiefvater

Title: Blue Lily, Lily Blue (The Raven Cycle, #3) 

Author: Maggie Stiefvater

Rating: 4.5 Stars

Release Date: October 21st, 2014

I’m not entirely sure Cabeswater is quite fictional. I cracked open the spine of Blue Lily, Lily Blue and from just the whisper of those initial words on the page, I could feel it coursing through my bloodstream. I emerge from Stiefvater’s novels blinking wildly at the sight around me. It takes a few seconds for my brain to process a mere desk, laptop, bookshelf, bed, and lamp before my eyes when, only seconds ago, I was running through the forests of Cabeswater, walking through hidden caverns, breathing life into my dreams. It’s simultaneously Stiefvater’s best and worst quality; her ability to immerse her readers thoroughly in her work and, sadly, her ability to render those fictional realms so life-like that the inevitable disappointment that I cannot, in fact, visit Cabeswater, is crushing.

But, I digress—Blue Lily, Lily Blue. After two beloved novels already published in this series, it’s easy to believe, by the third book, that you know the direction of the plot, the decisions the characters may make, or even the relationships they’ll continue to develop. Maggie Stiefvater, however, shatters every illusion you’ve harbored within the opening pages of her prologue itself and you’re taken back in time to that moment of trepidation before you cracked open The Raven Boys; that moment when you have no idea which character you’ll fall in love with, which one you’ll hate, who is about to become your soul sister, or even what the plot of the entire novel even is. Stiefvater proves to be just as unpredictable as always in Blue Lily, Lily Blue, and though reading this third novel in the Raven Cycle feels like returning home after a long, arduous year apart, its characters nevertheless manage to evolve, the plot twists and turns, and the relationship dynamics become ever-more complex. Thus, just when you’re thinking you’re going to enjoy another trip to Henrietta, your heart rate begins to pound, you lean forward in your seat, and, just like that, you’re just as frantic and impassioned and in love as Blue and her Raven Boys.

For me, perhaps the most jarring effect of Blue Lily, Lily Blue is the fact that the school year has, once again, begun. For Blue and her Raven Boys, this means that while the hunt for Glendower has not ended, it has become more difficult. Moreover, the economic gap between Blue and her Raven Boys, which felt, perhaps, diminished within the excitement of The Dream Thieves, rears its ugly head again. Blue Lily, Lily Blue marks the first Stiefvater novel I’ve read since attending college and, as a result, I find myself all the more grateful for the economic diversity Stiefvater writes of. I feel underrepresented within my economic bracket here, on my college campus, but it’s reassuring to know that isn’t the case within Stiefvater’s literature. Adam’s economic situation, as always, is keenly felt and the strides Adam makes in his thinking during the course of this novel are tremendous. But Blue, especially, stands out to be in Blue Lily, Lily Blue, not only because she has lost her mother, but also because her closest friends are looking into a future of posh, elite Ivy League schools while she herself must settle for a local college she can afford opposed to a college that caters to her academic intelligence level. Truly, I don’t mean to linger on this topic for too long, but for those of you who have felt as if the college admissions process has been simplified and far too glorified in literature up until now, you will love the harsh reality Stiefvater breathes into the situation with her latest.

But, yet again, I digress. I do not love Blue Lily, Lily Blue for its economic diversity (though that is certainly a noteworthy component to the novel), but I love it for the manner in which its characters and their relationships continue to surprise me. I wrote in my review of The Dream Thieves that though Stiefvater writes of a multitude of characters, everything she writes of somehow returns to Gansey. At the heart of the Raven Boys, at the heart of this quest for Glendower, lays Gansey. While this continues to be true in Blue Lily, Lily Blue, what struck me about Gansey in this third installment is how little we truly know of him. By the closing of Blue Lily, Lily Blue we’ve gained answers to the mystical powers that Blue and the rest of her Raven Boys possess but Gansey? Gansey still remains an enigma. But, in Blue Lily, Lily Blue he becomes a humanized one. The Gansey of this latest installment is not always the calm, collected, and put-together Gansey we’ve come to know. Stiefvater shows us the glimpses in which he morphs and isn’t quite the same person, though their essence is identical. It’s subtle, but Blue Lily, Lily Blue allows us to see Gansey through a lens of vulnerability—a term we’ve associated with everyone from Adam to Noah to Ronan to Blue—but, never before, with Gansey.

Blue Lily, Lily Blue further continues to alter the relationship dynamics simply between Blue and her Raven Boys. Noah becomes ever-more distant and otherworldly in this installment as Ronan and Adam begin to forge a tighter friendship now that Adam and Gansey are at such a stand-still in their own relationship. Between Blue and Gansey, however, there continues to be a strong stream of longing and though their relationship isn’t touched upon as much as it was in the previous installment, the scenes Stiefvater gives us are utterly bittersweet. Blue Lily, Lily Blue truly goes beyond just Blue and her Raven Boys, though. We finally get to meet Gansey’s Professor and Blue’s own relationships with the women in her house (and Mr. Gray!) take on a new significance with Blue’s mother missing. Additionally, Stiefvater introduces a slew of new characters; all of them complex, many of their roles unexpected. While Blue Lily, Lily Blue certainly furthers the plot significantly, it also leaves a large number of questions to be answered and generates new ones along the way as well, all contributing to an ending full of shock, excitement, and curiosity. Of course the wait for the next novel is sure to be unbearable but Blue Lily, Lily Blue packs such a punch that I am confident I’ve overlooked at least a dozen important clues. It’s the type of novel that, much like The Dream Thieves, simply demands to be re-read from its position on your shelf.

It hardly needs saying, but Stiefvater has outdone herself yet again. I believe she always says that her favorite book is the one she has just written and though I cannot agree with that statement, what with The Scorpio Races out in the world, Blue Lily, Lily Blue is one of her better novels. It doesn’t quite capture the madness and raw energy of The Dream Thieves for me, but it has an essence and magic all of its own. Just don’t expect to emerge from this novel unscathed and you’ll be good. (Trust me, Stiefvater just brings on ALL the feels…ALL OF THEM.)

ARC Review: The Perilous Sea by Sherry Thomas

Title: The Perilous Sea (The Elemental Trilogy, #2)

Author: Sherry Thomas

Rating: 4.5 Stars

Release Date: September 16th, 2014

I am still reeling from the aftermath of The Perilous Sea. With The Burning Sky, Sherry Thomas introduced us to a world of magic and destiny, one in which our protagonists--Titus and Iolanthe--had to battle the Bane, the deadly ruler of Atlantis. The Perilous Sea picks up shortly after The Burning Sky left off, only this time it is the end of the summer holidays and Titus, whisked away to princely duties in Atlantis, has not seen Iolanthe in months. Now, finally reunited, to two are determined to work harder, fight longer, and discover the secret to bringing down the Bane. Only, it seems fate--or rather the diary of Titus's late mother, a seer--has very different ideas...

From the beginning itself, The Perilous Sea sets itself apart from The Burning Sky due to its format. Thomas writes two different timelines simultaneously, meaning that every alternate chapter jumps between the present and the past catching up to the present moment. With cliffhanger endings concluding every chapter, it is practically impossible to set this book down once you've picked it up, not only because of the urge to discover the situation in the timeline you left behind, but also to figure out how our protagonists went from Point A to Point B.

Moreover, from the onset of this novel itself, it is clear that Thomas is choosing to focus on the age-old question of fantasy: can one truly make his or her own destiny? Very early on in The Perilous Sea a sequence of events plays out in such a way that Titus begins to doubt the veracity of his mother's prophecies. Or, at any rate, her interpretation of them. Thus, the lives and focus of both Titus and Iolanthe are upturned by these circumstances and the emotional turmoil they experience is simply heart-breaking. I love that despite the fact that we know both these protagonists so well from The Burning Sky, Thomas continues to challenge them, forcing them to become even better, stronger, and more confident versions of themselves. Additionally, these change of events cause The Perilous Sea to be far more romantic than we may have anticipated. In one timeline, circumstances allow for Iolanthe and Titus to fall in love all over again, albeit in a different way. In another timeline, Iolanthe and Titus must battle through their differences to find a way back to one another, despite the hurdles they themselves have erected in their paths. In both instances, it is abundantly clear once and for all that yes, these two truly do love each other and, above all, they are stronger together than apart.

The Perilous Sea continues to excel as a sequel, however, primarily because of the depth we gain about the secondary characters. I truly enjoyed the characterization of the secondary characters we met in The Burning Sky, particularly Titus's friends in Eton, but in The Perilous Sea we finally peel back the facades these boys put forth and discover the true individual beneath. The plot of The Perilous Sea is such that the secondary characters are just as important, this time around, as our two protagonists, so the depth they're given in this installment is a pleasant--and very welcome!--surprise. What's more, the Bane is finally unveiled for the true horror we are told he is. While we learn a little of this villain in the previous installment, The Perilous Sea travels deep into his past and--believe me--the atrocities he is capable of are cringe-worthy.

In fact, The Perilous Sea packs plot twist after plot twist, reveal after reveal, at such a breakneck pace that it is difficult to imagine what Thomas can possibly unveil further in the final installment. We receive answers about Iolanthe's past--everything from her origins to her memory keeper--speculate about Titus's parentage, and learn the minute secrets as to the true reality of Titus's mother's visions. It's such a spectacular sequel simply because we believe one thing to be true, only to find that it isn't what we thought it was. While this ensured that readers were constantly in a state of surprise, at times the narrative style of this novel became a detriment to the story as a whole. For me, at any rate, I didn't find both timelines to be completely necessary and, what's more, the fact that one timeline moved at a significantly slower pace than the other one, could be a bit jarring at times. Most importantly, though, I found the never-ending reveals to be pleasant--at first--but found myself needing slightly more detail or clarification than was provided. And, sadly, the political turmoil that marked The Burning Sky is mostly devoid in this novel as the focus is on overthrowing the Bane. I am hoping--and eagerly looking forward to--seeing more of Atlantis's political scheme in the sequel, along with the final battle that is looming ahead. The Perilous Sea is one of the strongest sequels I've come across this year and if Thomas continues to improve and build upon this series as she has, I do not doubt that the finale will be unforgettable.

Review: Honor's Knight by Rachel Bach

Title: Honor's Knight (Paradox, #2) 

Author: Rachel Bach

Rating: 4.5 Stars

*This review is spoiler free for the Paradox Trilogy*

Honor's Knight presents a paradox to the typical trilogy; it defies Middle Book Syndrome. Having read far too many trilogies than I probably should have ever read, I can truthfully claim that MBS is real and it usually occurs when an author has a story to tell--only it's a duology, not a trilogy. Thus, that fated middle book is the source of dragging plot lines, new love interests, and lackluster characters. Bach, however, truly does have a story that needs to be told in three books. As a result, Honor's Knight is remarkable: fast-paced, thought-provoking, and most definitely mind-blowing.

Without giving away spoilers for Fortune's Pawn, all I will remark about the plot of this novel is that it begins in an unusual situation. Devi, our kick-ass, no-nonsense protagonist finds herself a stranger on her own ship, due to circumstance, and watching her battle those around her--but especially herself--in a quest for the truth is enlightening. It reveals even more facets to Devi than we thought existed. Fortune's Pawn does such a terrific job of presenting us strong Devi, weak Devi, fierce Devi, romantic Devi, ass-kicking Devi, etc. that to see her as more than those images is seemingly impossible. Yet, I loved her growth arc throughout the novel.

Honor's Knight moves forward through a series of multiple plot twists. Of course, for readers of Fortune's Pawn, there is an obvious reveal that needs to occur that the reader knows of but not Devi. Yet, even beyond that, Bach unveils the extent of her world-building and the secrets--answers, really--we've been yearning for since Fortune's Pawn are displayed in their full glory. Witnessing Devi react, process, and act on these new sources of information is the main motivation of the storyline. It works. Not only is Bach's world richly layered and morally ambiguous, keeping readers questioning their own set of standards and blurring that line between right and wrong, but it also keeps readers on the edge of their seat anticipating both the next unknown to fly at Devi and her consequent change as a result.

As with Fortune's Pawn, the secondary characters support and enhance Honor's Knight beautifully. All strong characters in their individual right, Devi's relationship with even the most minute of secondary characters carries weight. What's more, Honor's Knight is set up in such a manner that the nature of the relationships Devi has sustained from Fortune's Pawn change. In Honor's Knight there are many more layers to the seemingly two-dimensional and simplistic relationships Devi held in Fortune's Pawn and that evolution is a treat in and of itself.

Of course, the romance in this trilogy is note-worthy since it truly is hard-won. Honor's Knight is the least romantic of the trilogy, strife with conflict and the never-ending battle of inner conflict. Both the romantic leads, Devi and Rupert, must overcome their insecurities and pasts to be with one another and, even then, the unspeakable acts they've done hang in the air between them. While they're both fighters, they're also betrayers, and the bitterness that adds to their complex equation is entertaining, to say the least. Honor's Knight truly made me care for their relationship in a way I hadn't in Fortune's Pawn and the outcome of it is one I eagerly anticipate in Heaven's Queen.

Honor's Knight is not an easy novel to have written, I am sure. It sets up a dark, tragic problem at hand--one whose solution remains shrouded. Although this is Bach's debut trilogy, she is already a master at creating tension and forcing readers to think beyond their typical capabilities. Heaven's Queen will, undoubtedly, be a treat; I am sure of it.

You can read my review of Fortune's Pawn, the first book in the Paradox Trilogy, here.

Series Review: Sirantha Jax (#5-6) by Ann Aguirre

I did a series review of the first three books in this space opera last summer and, having finished the books at last, realized it was only fitting to review the last three novels as well. I couldn't find much to say about the fourth novel, Killbox--which was excellent with the exception of rather unnecessary relationship drama--but here are my thoughts on the conclusion to this series.

Note: The following reviews are spoiler free for the Sirantha Jax Series

Title: Aftermath (Sirantha Jax, #5) 
Author: Ann Aguirre
Rating: 3 Stars

Aftermath got off to a promising start, what with Jax on trial against the Conglomerate, but it quickly became apparent that Book 5 of the Sirantha Jax Series was very much a--and I hate to use this word--filler novel. Essentially, nothing much happens. Jax isn't acting as a diplomat to a foreign planet, she isn't off fighting a war, and nor is she doing much jumping. Aftermath fills in the gaps that we've forgotten about since Doublebind burst onto the page and, as such, it isn't a favorite of mine.

Yet, by no means is it forgettable. If anything, the emotional growth Jax undergoes throughout this novel--not to mention the palpable strength of her bond with both Vel and March--push this story onward. It's the most introspective novel of the series, oddly enough, and though there is plenty of action, it isn't the most memorable aspect of this tale. Instead, combing through Vel's past, facing the harsh realities of March and Jax's relationship, and labeling the differences between the bonds Vel and March share with Sirantha cause Aftermath to stand out. It's an emotional journey, from beginning to end, and though it falters in part plot-wise, it's still a valuable addition to the series.

Aftermath may have lacked much of a climax, what with every issue Jax tackling resolving itself far too easily, but I'm still on board with this crew. With Endgame up next, I should be feeling nostalgic but I think I'm ready to see Jax off, once and for all. I just hope it's as explosive of a conclusion as I'm gearing up for.

Title: Endgame (Sirantha Jax, #6) 

Author: Ann Aguirre

Rating: 4.5 Stars

I thought I was ready to say goodbye to Sirantha Jax after Aftermath, but Endgame is such a brilliantly plotted novel that I feel nostalgic, bittersweet, and ever-so-upset after all. Aguirre's Endgame weaves together everything I've loved about this series since Grimspace: excellent world-building, blooming character growth, and complex relationships.

Once again, Sirantha Jax is a solider, a fighter, a warrior. On La'heng now, she is determined to free an enslaved race of people--despite knowing the mission will keep her on ground for years to come. Endgame has no shortage of well-written battle scenes, devious schemes, and military plans ensuring its plot is set at a break-neck pace. Nevertheless, the strength of this novel stems from Sirantha herself; from the bond of friendship she sustains with Vel and the lengths she will go to aid him, from the relationship she shares with March and the difficulties they endure, from the new characters she meets and the sacrifices she makes even for them.

Endgame doesn't allow Sirantha to take the "easy" way out, charging in guns blazing and somehow saving the day. Instead, it pushes her to her limits testing her patience, her unselfish desires, and her loyalty to those around her. It compels her to both stay and to fight, though not always in combat. Where this novel suffers, in my eyes, is in the odd jumps of time. The war on La'heng takes years and for Sirantha to oddly mention that a year or six months have passed from the turn of a page is jarring, to say the least.

Yet, despite it all, I love her and her romance with March undergoes necessary strife in this novel. Unlike past novels where Sirantha and March have been thrown into dramatic situations, likely to prolong the story, in Endgame these two finally embrace the honesty of their relationship and unearth their hidden insecurities. It isn't always easy, between these two, but it's always strong and sure. Sirantha's relationship with Vel is of a different--and frankly easier--nature, but that in no way diminishes its strength. For me, this series is defined by the two men in Sirantha's life; both their respect for her and her respect for them. Aguirre never fails to create fascinating, equal-footed relationships and that isn't different even with this volume.

Endgame is, well and truly, the end. Aguirre has not left this world, thankfully, though Sirantha and her journeys are behind us now. Will I miss her? Yes, undoubtedly. Somewhere between all the psychological probing of Sirantha's mind, I fell in love with her, flaws and all. Nevertheless, all good things must come to an end and, as always, Sirantha goes out with a memorable bang, never a whimper.

In case you missed my reviews of the first three novels in this series last summer or just want a refresher, you can read them HERE. 

Needless to say, I'd highly recommend this series to fans of science-fiction romance and space operas. I gave Grimspace 4 Stars, Wanderlust 3 Stars (generously), Doublebind 5 Stars, Killbox 4 Stars, Aftermath 3 Stars (well-earned), and Endgame 4.5 Stars. It hasn't been a perfect journey and there have certainly been ups-and-downs, but if you're willing to meet flawed characters and be entertained no matter what, this is certainly the series for you! :)

Review: Dreams of Gods & Monsters by Laini Taylor

Title: Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3) 

Author: Laini Taylor

Rating: 4.5 Stars

Ever since devouring Dreams of Gods & Monsters in early April, I've spent countless hours reflecting over this novel; picking it apart, looking at it from every angle, and discussing it with numerous readers. Granted, my diction may have veered into vitriolic in parts but, despite the flaws I believe to be scattered throughout Dreams of Gods & Monsters, this is still a novel I really, really enjoyed.

When it comes to romance, it takes a lot for me to fall in love but, trust me, once I fall, I fall hard. While Daughter of Smoke & Bone certainly captivated me with its love story, Days of Blood & Starlight switched my focus to that of a hardcore fan. Literally all I wanted from Dreams of Gods & Monsters was for Akiva and Karou's love story to continue to be as gut-wrenching, emotional, and rewarding as I'd hoped. It's a shallow admission--I know--but it's also a true one. On that count, certainly, Laini Taylor did not disappoint.

When it came to Akiva and Karou, I didn't know what direction their relationship would take but I loved the path of forgiveness, redemption, and re-connection they wound up on. Of course, the sexual tension was beautifully written--Laini Taylor is a master of it by this point--but I loved the small one-liners that carried so much weight. Neither Akiva nor Karou interact a whole lot during the book, but what they left unsaid was just as powerful as what they did say.

Moreover, the secondary characters truly come into their own in this installment. Whether it be Zuze and Mik, whose friendship and romance have been pillars of support for Karou throughout her journey or Liraz whose growth arc was indicative of the entire angel population as a whole and impeccably paced, Taylor doesn't disappoint in these minor technicalities. Her prose, as always, is on point and breath-taking as is her wild imagination and penchance for weaving the most fantastical of worlds. With Dreams of Gods & Monsters Taylor's world-building prowess truly comes to light and stuns; it truly rendered me speechless.

Yet, this novel falters--quite a bit--when it comes to the actualization of Akiva and Karou's dream. Over the course of these three novels, we've seen their love story blossom alongside their fervent hopes to unite their two races and end the war that has been plaguing their beautiful country for years and years on end. Now, however, when the time has finally come to integrate their societies and live as one, the page space felt too minimal. Taylor doesn't end this novel on a definitive note of whether or not Karou and Akiva's dream works. We don't experience much of it first-hand and don't even hear belated accounts of what becomes of this country or its people, which is disappointing after becoming so embroiled in the politics of this nation.

What's even more strange, though, is the fact that new and unexpected plot threads emerge and gain sudden importance. While it has always been evident that there is more to Taylor's world than what meets the eye, the influx of new information she shares with readers comes far too late in the series. I didn't care enough, unfortunately, about this new development or the characters it brought with it and, what's more, it took away from the dream Karou and Akiva had been chasing all their lives. For Taylor to dump this on readers at the very end of the end was to fail to give them enough time to process this twist or what it would mean for these beloved characters. It was simply a case of poor timing, weak plotting, and added confusion. Perhaps if it were confirmed that Taylor had a companion series in the making I would be more comfortable leaving this story at its conclusion, but there remain one too many unanswered questions and open plot threads by the time we reach the final pages of Dreams of Gods & Monsters.

Overall, though, I really, really, really liked this finale. Taylor's writing was gorgeous, Akiva and Karou's relationship totally won me over, the moral and philosophical discussions were thought-provoking, the secondary characters wonderfully developed, and the ending felt right, in a bittersweet way. I definitely expected a lot more in way of a battle, not to mention backlash from the armies concerning Akiva and Karou's final dream, and, what's more, I have a lot of questions concerning the end; but looking at this as an objective conclusion to Akiva and Karou's tale--without all the messy new mythology thrown in--I admire their journey as a whole and the strides they've made. With Dreams of Gods & Monsters I was hooked from beginning to end and have to admit to feeling content when I closed its back cover. Not elated, but not quite disappointed either.

Review: More Like Her by Liza Palmer

Title: More Like Her

Author: Liza Palmer

Rating: 4.5 Stars

I didn't expect More Like Her to wind up being my favorite Liza Palmer novel, but it is - it most definitely is. Both romantic and horrific, comforting and shocking, this isn't the warm story of Nowhere But Home or the amusing tale of Seeking Me Naked. Instead, it's much rawer, realer, and makes truly worthy statements about self-esteem and society. Just...impeccable. 

Frances is a guidance counselor at the prestigious Markham School, vying for a promotion alongside her best friend, Jill. Where Jill is in a steady relationship, however, Frances is recently single--yet again--and is eager to prove herself to the new headmistress, Emma. From the outside, Emma is everything Frances aspires to be--sophisticated, intelligent, and successful. When a bullying incident brings her closer to the headmistress, however, Frances discovers that behind the veneer of perfection, Emma is hurting, broken, and doubtful. With time, Frances and Emma only grow closer, on the cusp of an unbreakable friendship, when tragedy strikes.

From the surface, More Like Her seems to be nothing more than the far-too-often-retold tale of an unlucky woman who, when it comes to romance, never seems to get it right. In reality, though, this is merely a skin-deep perception of this novel. Palmer writes friendships--relationships, really--with such a careful, nuanced construction that we learn to understand them completely. From the perceptions our friends have of us to the minute details which comprise a tight friendship, Palmer presents the relationships between Frances and Jill, Frances and Lisa (another co-worker of hers who becomes a close friend), and most importantly, Frances and Emma with complexity and depth. Every one of these four women are real, filled with their insecurities and flaws, which makes them come alive on the page, their hearts suddenly stuck in our throats as Palmer unapologetically forces us to feel every emotion throughout this narrative. 

What's more, More Like Her is the type of novel whose pages we turn to a close but whose story lingers in our minds for days to come. You see, Emma's husband--all part of the veneer of her "perfect" life--brings a gun to a school event one evening and the lives of Frances and her friends are forever changed. Not only does Palmer write about a tragedy of this magnitude with poise and aplomb--particularly as this is not a novel that touches upon gun rights in the least--but she also manages to bring about growth from this event. As Frances is forced to look into her own life, she is made to look past the facades we all live with and accept as part of our lives, just as Emma likely accepted her husband for who he was and refused to see past his "calm" and "normal" exterior. It was Emma's own lack of self-worth that enabled her to keep living with a man who couldn't appreciate her value or give her the freedom to pursue the passions she wished and following the events of this tragedy, Frances--a single woman who may-or-may-not be falling in love--is forced to come to terms with her own self-worth. Whether or not she needs a man to keep her happy. Whether she truly sees herself as she is or simply sees a construct built by society that makes us view ourselves as inferior. It's a fascinating breakdown of our psyche and, what's more, Palmer observes this with each and every one of Frances friends, from her lover to her best friend Jill who seems to have everything put together in her life, particularly her love life. 

More Like Her, for all the serious subject matter it touches upon, is compulsively readable and, for the most part, a fairly light read as well. Moreover, the friendships within these pages will touch your heart, the romance will make you swoon (and smile and sigh and dream and cause butterflies to flutter in your stomach and your breath to catch and all of that), and most importantly, the characters will nearly (but not actually) outstay their welcome in your heart. It seems like the most innocent, unassuming of stories but--trust me--it'll change your life, at least a little. For me, there's no greater admission than the fact that words can change lives, but Palmer's have changed mine; irrevocably.

Courtney Milan Mini-Reviews

I discovered Courtney Milan's historical romance novels early this year and have spent the better part of the past three months making my way through her back list. Of the multitude of novels and novellas I've read of hers, these are the three I took the time to review, albeit briefly, and they are in the order in which I read them, which wasn't chronological (though I'd likely recommend reading these books in order as they're likely better appreciated, in some ways at least). Needless to say, I hope to convince many more readers to pick up her work - particularly if you believe historical romance isn't a genre that appeals to you. Milan will likely prove you wrong.  

Title: Unraveled (Turner, #3) 

Author: Courtney Milan

Rating: 4.5 Stars

It's official: Courtney Milan is my new favorite author. While I'm not known to have much luck in the historical romance genre, Milan subverts a plethora of overused tropes, making her novels enticingly real. Although I've only read three of her works so far, they've featured a doctor intent on using revolutionary means to prevent the spread of infection, a thug (of sorts) who has followed instructions without questioning them for years, and now a magistrate whose middle name might as well be justice itself. None of her heroes are, from the surface, heroic but they all lend themselves perfectly to an exploration of the time period and to an unknown source of depth. Moreover, these heroines are no less stunning in their portrayal, vivaciously strong and determined to survive despite the odds they are constantly battling. Unraveled is a historical romance, yes, but it will do so much more than simply set your heart on fire; it will melt it.

Title: The Countess Conspiracy (The Brothers Sinister, #3) 

Author: Courtney Milan 

Rating: 4 Stars

What do you get when you combine historical feminism, science, and a best friend romance? If you answered The Countess Conspiracy, you'd be right. I seem to be making it a habit to start off with the third book in a Milan series, despite the fact that I fully intend to read the predecessors. With its synopsis of a widowed countess whose science experiments are masqueraded off by her best friend, however, I couldn't resist. Compared to the previous full-length Milan novel I read, Unraveled, this romance is remarkably chaste. And yet, the palpable tension between Violet and Sebastian, two friends who have been pillars of support for one another for years, is a welcome torture. Milan manages to build their relationship dynamic without resorting to flashbacks, a pet peeve of mine, but the strength of the bond between these two is undeniable. For me, however, the best aspects of this novel lie in the fact that Sebastian loves Violet for who she is - determined, stubborn, loathe to trust due to her tragic past, and fiercely intelligent. Despite the fact that she is not a great beauty and that her behavior defies the strict rules of society, he cannot help but admire her for the person she is. Milan's tidbits of feminism, evident both in the scientific aspects of this tale and weaved throughout the story line, are true gems. In the end, The Countess Conspiracy does, after all, prove to be a conspiracy. One to win over your heart.

Title: Unclaimed (Turner, #2) 

Author: Courtney Milan 

Rating: 3 Stars

I blame myself. I began this series with the third Turner brother, Smite, who is by far the most enigmatic, intriguing, and (let's be honest) sexy sibling of these three very fine brothers. After absolutely loving Smite's story, I - naturally - rushed out to grab a copy of the previous books in this series. While I've found myself falling in love with both Ash and Mark, the other two Turner brothers, and their respective romantic interests, there has always been a missing spark, if you will. Neither of these brothers charmed me nor did they win over my hearts. Moreover, the plot lines towards the end of these two installments veered off, becoming increasingly drawn-out. While I admire Milan's knack of including truly historical aspects into her work, the romances in these first two novels did, nevertheless, leave me feeling a twinge of disappointment.

Nevertheless, Mark Turner of Unclaimed makes extremely important points regarding sexuality, chastity, and mutual respect in a relationship. Seeing these ideals espoused - and carried out - by a strong, inspirational male character (who is a virgin, no less!) is the direction I wish more novels would move towards. Especially in an era which glorifies the male empowerment over the female. As such, I found myself pleasantly surprised by Milan's discussion of female treatment in this book, along with her exploration of their sexuality. Jessica, despite being a courtesan, has never liked herself or felt empowered by her gender. Instead, she has seen relationships as possession - only she is the one being possessed. While I didn't always enjoy the direction Jessica's actions took her, I really did love her continual growth throughout the novel which was linked both to her physical and mental psyche.

While not a stunning Milan piece, Unclaimed is still far superior to the majority of historical romances out there. And, if you read this series in the right order, you'll be awarded with Smite Turner next. Who could turn that down?

ARC Review: What I Thought Was True by Huntley Fitzpatrick

Title: What I Thought Was True

Author: Huntley Fitzpatrick

Rating: 4.5 Stars

Release Date: April 15th, 2014

Although Fitzpatrick’s sophomore novel has made it onto many “Waiting on Wednesday” posts and “Top Ten Most Anticipated” lists, it’s one of the last books I expected to be reading this year. While Fitzpatrick managed to hit the nail on the head concerning quite a few issues with her debut novel, My Life Next Door fell seriously flat for me. Thus, to find myself quite besotted with her sophomore piece is a surprise, to say the least. But What I Thought Was True battles the crashing waves of adolescence with an honesty that is forthcoming, a romance that is flawed, and relationships that really do withstand the test of time.

What I Thought Was True is a tale with multiple plot threads, but Fitzpatrick manages to make these complex story lines converge in a cohesive manner. While Fitzpatrick’s debut was set in a small town, her sophomore novel takes place on a quaint island whose class divisions are starkly felt. Gwen Castle, the protagonist of our tale, hails from a long line of Portuguese fishermen and lives on the wrong side of the bridge. Stony Bay, just across the bridge, is home to rich private schools, decadent clubs, and wealthy homes while in Gwen’s own household her mother is a house-cleaner and both she and her cousin take on summer jobs to help carry the economic weight of the household.

Fitzpatrick instills the very mentality of this town slowly, but deeply, into your very bones itself. It’s always difficult to convey the sense, the feeling, of a fictional location without spelling it out explicitly but Fitzpatrick outdoes herself with What I Thought Was True. Gwen’s household, as well, is so vibrantly portrayed. First and foremost, it is an interracial setting with Gwen herself being only half-Portuguese but her cultural heritage is keenly felt, as are the personas of all her family members. Gwen’s parents, though divorced, are both still very much present in her life, albeit in different ways, as is her grandfather whose presence adds to the ethnic feel of the story. Of utmost importance, though, is Emory, Gwen’s eight-year-old brother who isn’t autistic, but isn’t perfectly normal either, as well as Gwen’s eighteen-year-old cousin brother, Nic, who has lived with them for as long as Gwen can remember.

Gwen, her best friend Vivian, and Nic have been the three musketeers for years and although Vivian and Nic have now been dating for years, their friendship hasn’t changed. While Vivian and Nic share the type of relationship that Gwen – and everyone, really – only dreams of, the summer brings forth unexpected cracks. For one, there is the wild rumor that Vivan and Nic have been looking at engagement rings – a fact kept wholly secret from Gwen.  Add to that the fact that Nic dreams of joining the Coast Guard while Viv simply wants to stay in their small island town and Gwen is officially caught between the two people who mean the most to her. Fitzpatrick does such a skillful job of navigating the multiple relationships that Gwen possesses in her life, taking the time to develop these integral friendships through meaningful conversation. While these three teens start their summer thinking they want one thing, they wind up realizing that life doesn’t always give us what we want and, even scarier, what we want can change – quite suddenly, too.

“And this is the hardest, weirdest part of not being that barefoot girl and that towheaded boy running down the sand to the water, all legs and elbows and unself-conscious. Suddenly, you edge your way to the end of your second ten years and BOOM. Your choices matter. Not chocolate or vanilla, bridge or pier, Sandy Claw or Abenaki. It’s your whole life. We’re suddenly this close, like Nic said, to the wrong move. Or the right one. It matters now.” (Page 236)

Surprisingly enough, though I enjoyed Gwen’s incredibly developed relationships, as well as the growth that she and her loved ones go through, the romance truly did sweep me off my feet. In fact, there are no love stories I love better than those which feature protected sex, a feminist heroine, and a respectful hero. What I Thought Was True starts off with Gwen trying her level best to avoid Cassidy and failing quite spectacularly as he seems to pop up wherever she goes. Cassidy lives in Stony Bay, the rich side of the bridge, and Gwen, for all her helpful tendencies, has a bit of a reputation. Fitzpatrick takes her time to unveil the truth of Gwen’s past, not just with Cassidy, mind you, but I loved that she never judged her own character for her actions. Even better, Gwen isn’t ashamed of her actions. Granted, she does have regrets – which teenager doesn’t? – but she isn’t embarrassed by wanting physical affection and, what’s more, isn’t a simpering virgin.

Yet, Gwen is a good girl. Not only is she honest, but she is respectful and kind. Not a slut, not a bitch, and not a whore. With Gwen, Fitzpatrick has created a heroine who doesn’t fit into the typical boxes – white, virgin, innocent – but she also hasn’t flaunted her protagonist. We don’t realize that Gwen is ebony-skinned until almost half-way through the book (although it’s quite easy to surmise from her heritage). We aren’t made to question Gwen’s virginity – or lack of it – or even gasp at the honest sexual discussions she shares with her best friend. Fitzpatrick makes it seem so effortlessly easy to include friendships, close family ties, culture, heritage, and a meaningful romance that stresses a respect for boundaries. I only wish more authors would write contemporary novels like this one because, frankly, this is what the industry needs, not more Twilight Fifty Shades of Grey rip-offs.

And speaking of alpha males, can we all applaud the fact that Cassidy might just be the total opposite of one? Admittedly, his relationship with Gwen has a bit of a rocky past but at the core he's an absolute sweetheart. Gwen and Cassidy's romance is slow, tortuous, and an enticing sizzle to read unfold. Full of open discussion, unsaid secrets, and an undercurrent of sexual tension, I loved every one of their interactions (particularly when Cassidy turns on his charm!). Yet, what I love most about their relationship is that it affirms the boundaries these two desire in their relationship and reaffirms them all over again when they change. It's such a healthy relationship, one in which both parties are happy and the pace is moving according to their own desires, not their past experiences. Of course, getting to the relationship in question is one of the best arcs in the story, but the sustaining romance is a favorite of mine as well.

Ultimately, I cannot recommend this book enough. What I Thought Was True is an incredible story about growing up and facing the hard truths that life throws at you. It’s a novel about coming to terms with the hand you’ve been dealt, learning to cope with change, and, most importantly, sustaining relationships despite the hurdles. Fitzpatrick could have easily molded this into “just another” summer romance but, trust me, it is so much more than that. Needless to say, I’ve already ordered a copy of this for my own bookshelf to hug, just as much as I will.

Romance Mini-Reviews: Bitter Spirits & Just One Night

Title: Bitter Spirits (Roaring Twenties, #1)

Author: Jenn Bennett

Rating: 4.5 Stars

I have a confession to make: Bitter Spirits is not my first encounter with Jenn Bennett. I picked up Bennett's Arcadia Bell Series a month or two ago and have been a goner for her work ever since. Needless to say, I have been holding out on you, my dear readers, for Jenn Bennett is not an author to lightly walk away from. In fact, hers is the only paranormal romance novel that's worked for me in the past few months. I've tried Jeanine Frost's Night Huntress Series (not bad, but not that good either), Nalini Singh's Guild Hunter Series (just...not for me), Kristen Callihan's Darkest London Series (leaves quite a bit to be desired) and even Molly Harper's Naked Werewolf Series which once used to work for me. From these, only Bitter Spirits finally managed to satisfy, leaving me satiated, but still craving more, as Bennett inevitably always leaves me. 

I haven't visited the Roaring Twenties since Libba Bray's The Diviners, but I was able to slim seamlessly back into Bennett's vivid re-imagination of this time period. Fraught with spirits, 1920s California is an exotic, but dangerous, place. Aida Palmer, the vivacious protagonist of our tale, is a spirit medium used to traveling across the country, performing in clubs, and summoning spirits. Aida stumbles across Winter Magnusson, a businessman, in the office of her current employer and banishes the strange spirit following him. While Aida is lining up her next offer in New Orleans and Winter, with a haunting past, wants nothing to do with love, the two cannot deny their attraction to one another. Set against a backdrop of danger, ghosts, and death, however, their sizzling chemistry may not be the most dangerous presence around...

From the first chapter of Bitter Spirits itself I was gripped - hook, line, and sinker - into this tale. Both Aida and Winter are impressive characters in their own right, courageous and determined in the face of obstacles, but together they are an explosive force. Even disregarding their chemistry, the dialogue, banter, and understand these two grow to possess for one another is deep and gradually portrayed. Moreover, while their romance has its fair share of ups and downs, it is fueled by a bone-chilling mystery, taking these two into the heart of San Francisco's China Town and deep into Chinese culture and folklore itself. Bitter Spirits excels as a romance, there is no denying that, but even as a historical novel it shines. Ultimately, it leaves little to be desired...except maybe an ARC of its sequel, naturally. 

Title: Just One Night (Sex, Love & Stiletto, #3)

Author: Lauren Layne 

Rating: 4 Stars

Release Date: March 11th, 2014

Out of all the books in this series, this is perhaps the "worst", which isn't saying much at all as it still scraped a solid 4 Stars from me. Just One Night follows Riley, the only remaining girl from her original trio of friends to stay single. Although Riley writes saucy articles for Stiletto magazine, next to none of the sexual appeal and confidence she exudes through her articles are taken from her own experience. In fact, if Riley takes the time to admit it to herself, she's been mostly celibate for the entirety of her life because she's waiting for Sam, her older brother's best friend, to finally notice her. Unknown to Riley, though, is the fact that Sam has noticed her, despite trying desperately not to, but this time, perhaps the sparks between them will finally fly...

For me, Lauren Layne's books stand out because of their seamless integration of family, friendship, career, and independence alongside romance. Just One Night doesn't simply revolve around Riley and Sam, their simmering chemistry, or the multiple hurdles in their path. It easily incorporates Riley's friendships, the love she bears for her job, and the complicated relationships she conducts with her family. I feel as if I keep repeating myself with every Layne novel I pick up, but the successful careers these women carry are such strong, feminist statements, particularly in Just One Night as Sam isn't nearly as successful as Riley is. And yet, this is never treated as an oddity or, for that matter, an issue of any real importance, which I appreciate. Additionally, Riley is a far different protagonist from either Julie or Grace, but the boundaries she draws up are respected. While each of these heroines brings something new to their respective romances, Layne never belittles their decisions, always portraying them as strong women who recognize that they deserve respectful men - and those are exactly the type of men they get. 

While Layne's telltale humor was sadly absent from this tale, I enjoyed the flawed personas of both Riley and Sam. Neither of them are able to mystically cure one another, but they take baby-steps into the future. Moreover, Sam, with his large horde of problems, is only gradually working through the chinks in his armor. Although this novel does - naturally - have a happily-ever-after it isn't wholly perfect, which I always love. Needless to say, I can't wait for Alex and Emma's romance in the next book. For fans of Lauren Layne, this is a must-read. As for the rest of you...what are you waiting for? 

Review: A Visit from the Goon Squad by Jennifer Egan

Title: A Visit from the Goon Squad

Author: Jennifer Egan

Rating: 4.5 Stars

A Visit from the Goon Squad is like reading the first novel in a companion book series. We read about the protagonists, but also about the secondary characters. In fact, our connection to them whets our appetite to read about them as protagonists in their own right in the impending sequel. But imagine reading about those same characters from the angle of a different narrator. And another one, now from a different time period. Just try to picture following a series of characters, all loosely connected, but through the eyes of different narrators who hail from different time periods, continents, and backgrounds.

In a nutshell, that’s A Visit from the Good Squad. Egan follows the tale of Bennie, an old man who once used to discover the best bands and help them hit big. Using multiple perspectives, narrative voices, and time periods, Egan steadily builds a picture of Bennie from his adolescent years to his stardom and beyond. It isn’t solely a novel centered around Bennie, however. It’s about the lives of the people Bennie has touched, whether it be before or after their interaction with him. And the lives of the people those people in turn have affected.

Egan is a definite Pulitzer Prize winner due to her ability to spin such a tight, complex tale in a convoluted manner. A Visit from the Goon Squad never lags in pacing, but Egan’s creativity oozes out the pages, falling just under overwhelming. Jumping from first person to third, second person to distant futures we have yet to experience, even entire chapters told through newspaper articles or a PowerPoint presentation, Egan is a masterful storyteller.

Yet, the reason this novel is so worthy of its accolades and its 5-Star rating is for the raw emotion Egan is able to capture in just a few pages. Every chapter is a short story in and of itself, though they all connect to create a beautiful novel. While we never re-visit a narrator, we manage to grow attached to them in the short span we spend in their heads and grow ever-more anxious and curious to hear about them, even in passing, during other chapters. Although this method could have been used to wring out frustrating emotions, Egan writes tactfully, pulling us into her tale emotionally but enabling us to enjoy the journey she forces us on without becoming too messily involved.

Ultimately, Egan manages to re-create so many small, seemingly unimportant facets of life which hold greater meanings. By the end, it is breath-taking to see all of the minuscule details come together with spellbinding ease. Egan’s writing is effortless, flowing from one page to the next timelessly. While I cannot claim that A Visit from the Goon Squad changed my life, it did garner a greater appreciation for the art of writing. And, most importantly, like a picture, it spoke a thousand words without uttering a sound.

ARC Review: Red Rising by Pierce Brown

Title: Red Rising (Red Rising Trilogy, #1)

Author: Pierce Brown

Rating: 4.5 Stars

Release Date: January 28th, 2014

From the moment I finished Red Rising I knew I wanted to review it. Unfortunately, I also knew that words could do no justice to the sheer scope of the story contained between the gender neutral covers of Red Rising. And yet, I persisted. I wrote draft after draft, introduction after introduction, trying so desperately to get it right, to articulate what made this novel work when dozens of other dystopian series had failed for me. I wanted to write this review, not because I was required to by a publisher or needed to for a blog tour but rather because I wanted readers to pick up this book and just immerse themselves in the raw, brutal, but intelligent world Brown had created. Just to lose themselves in the onslaught of emotions and finish a post-apocalyptic novel loving not only the characters, but also loving the flood of new thoughts, knowledge, and queries that the book forced.  

Darrow, the protagonist of our tale, is a Red. In other words, he is a slave working beneath the surface of Mars to make the surface habitable for human occupation. For generations his family has lived in brutal, harsh conditions sacrificing their sweat and blood for the sake of humanity. After a series of events, however, Darrow uncovers the startling truth that the surface of Mars has been habitable for generations, ruled by Golds who leave the Reds underground, unable to enjoy the fruition of their labor. With nothing to lose and ruled by the hatred in his heart, Darrow trains to join the Golds, become one of them and infiltrate them from within, seeking the revenge he and his people so desperately deserve. In his plan to join a command school, however, Darrow doesn't realize that the school is a literal battlefield and in order to prove himself, he has to win...

While I hesitate to slap the "Young Adult" label on Red Rising, I do not hesitate to credit Brown with his impeccable writing style and meticulous world-building. Full of creativity and originality, the society Brown has created is deeply political, rooted in corruption but still thriving. It's a nation with imperfections deep within and by starting from the bottom but rising, slowly, to the top from Red to Gold we're able to glean a complete picture of the world at hand. Moreover, Brown paces his reveals gradually, taking time to develop his characters and, most of all, their growth. Darrow's own story is split into stages, realistically molding him from an ignorant Red to a furious Red to a vengeful Gold and then into a true weapon. Brown doesn't hesitate to reveal the ugliness to his society, but he also doesn't hesitate to uncover the positives - positives which throw Darrow off his game and force him to accept that not all Golds are evil, admissions which make his task that much harder.

While Red Rising starts off underground, the bulk of this novel is based on a battlefield. Although Darrow's transformation from a Red to a Gold is fascinating, as is his journey to joining a command school full of Golds, the true genius of this story emerges once Darrow has been accepted and after he is thrown into a war. Granted, there are proctors to watch over the events of this war but, for the most part, it is an all-out strategic affair between the students as they compete for the prized position of Primus. Darrow's growth simply within this "war" is astounding. Where he once held no power as a Red, he is now is possession of a tremendous store of power as a Gold. Moreover, he is handsome, strong, and charismatic - qualities that make him a prime leader - but ruling isn't as easy as he expects. Although he makes loyal friends, he also makes sworn enemies and as he travels from being on the top to once again sinking to the bottom, as he tries different methods of winning over men and keeping his armies, he grows into a deadly tool for he is quick to learn from his mistakes and driven, motivated to achieve his true purpose no matter what. 

Much of Darrow's inspiration comes from his wife, Eo. Darrow is, first and foremost, a feminist male narrator. All that means is that he respects women, takes their advice and opinions into consideration, and never looks down upon them. For him, Eo was a source of wisdom and guidance like no other and even among the Golds, this mentality never changes. Red Rising, with its gender neutral cover and male narration, will appeal to audiences of all ages, regardless of gender. As such, I am thrilled to see that this novel acknowledges women as equal without explicitly drawing attention to that fact. It is merely another part of the story, which I appreciate, though it sends a truly positive message to readers (one rather contrary than the gender stereotypes we are flooded with from the media on a day-to-day basis). Additionally, the romance in this novel is minimal at best. It isn't a focus - not in the least - and although I am curious to see its arc throughout the series, I remain most intrigued by the political shifts yet to come. 

Although the characters of Red Rising are young, Brown never shies away from tackling difficult subjects and, most of all, he forces his readers to think, to truly consider the best ways in which power can be used. Brown's debut may suffer from a bit of a lag in certain areas, but with the exception of those minor pacing flaws, it is a truly enticing novel, one to watch out for, pre-order, and count the days till. With just one book Brown has already made me a life-long fan - experiencing a rush of emotions just as fictional characters do will do that to you - and I am already staring at my calendar anxiously so that my finished copy of Red Rising will arrive and I can read it; again and again and again.

Review: The Caged Graves by Dianne K. Salerni

Title: The Caged Graves

Author: Dianne K. Salerni 

Rating: 4.5 Stars

When I think of the post-Civil War Era, I envision a nation torn apart by war, weary from years of struggle, and disheartened by life. I think of communities trying to re-build themselves, families joining together in companionship, and tentative smiles being shared over a dinner table. I think of the political strife in both the North and the South, the armies of soldiers kept to guard the untrustworthy South from resorting back to rebellion and the assassination of a beloved leader. I do not, however, think of Revolutionary War stories that haunt small towns, gold-digging visitors blinded by greed, or the graves of witches defiled both by the cages that stand over them and their blatant exclusion from holy ground. Now, though, it's practically all I can think about.

The Caged Graves is an incredibly atmospheric piece, immersing readers into the small-town life of 19th Century Pennsylvania where young men dream of growing farms, fathers ache to put the war behind them, and doctors yearn for the blissful ignorance they held prior to serving in the war effort. Verity Boone, having spent the last fifteen years away from her father and childhood home, finally returns to Catawissa, but not quite with the homecoming she's expecting. After agreeing to an arranged marriage with the most eligible bachelor in town, Verity is shunned by her new neighbors and distant from the father she never grew up with. Moreover, Nathaniel, the boy she has agreed to spend the rest of her life with, is a far different creature than his letters made him out to be. Although he is just as handsome - if not more - than his portrait alludes to, the shocking realization that Nate might have written his letters to Verity with a great deal of help from his sisters, potentially going so far as to have them select gifts for her, puts a damper on Verity's former excitement. After all, now she is stuck in the small town where she was born only this time, she is practically a stranger in her own household and, what's more, is about to marry a man who she realizes is not as familiar as she would have wished. Furthermore, to make matters worse, Verity discovers that her deceased mother and aunt are buried in caged graves, just outside the cemetery, and the quiet father she knows once used to fill his head with tales of buried treasure left over from the Revolutionary War. Already struggling to fit into her new home, Verity must now seek the answers to the questions regarding her mother's unexpected death and, most of all, the gold-diggers who still believe her mother's grave contains buried gold...

Where The Caged Graves shines is in its defiant portrayal of Verity, a heroine whose determination and flaws go hand-in-hand. From the first page itself, Verity's voice is seamless to slip into and her narration an enjoyment to read. While we first meet Verity on a train bound for Catawissa as a vivacious and energetic young woman, we quickly see her grow to make a niche for herself, despite the disappointments her homecoming brings. Moreover, it is Verity's unwavering stubbornness which drives the novel forward. Whether it be in her efforts to connect with the family she has grown without - father, uncle, aunt, cousins - or get to know her future husband, she is diligent and kind, not above letting her poised demeanor slip once in awhile, revealing the truly passionate girl that lurks within. Although The Caged Graves kept me glued to my seat from start to finish, the plot truly picks up once Verity uncovers the graves of her mother and aunt. From that moment on, Verity is an unstoppable force, going on with her day-to-day life while perusing her mother's diary entries and attempting to uncover the truth of her mother's death - a truth no one, especially not her father, will reveal to her.

It is an engaging mystery, paced impeccably and made all the more intriguing for the stories of buried treasure whispered through the winds of Catawissa. While these two plot threads seem to be quite distinct at first, they soon diverge to build the suspense already palpable within the story. Verity, as the novel wears on, hardly knows who to truly trust and though the ultimate reveal is a tad-bit anticlimactic, it is strangely satisfying. Moreover, the inclusion of the mystery throughout the novel only helps Verity's character to grow, change, and rise to challenges. Where she came to Catawissa prepared to wed, to run her own home and to deal with proper society, she did not expect to find so much mystery and mahem at her doorstep and, as such, the plot reveals hidden depths both to her character and those of the people who surround her as well.

And yet, for all the interest that the plot of this novel generates, not to mention Verity's indomitable nature, the romance still had me anxious, reeling, and swooning all at once. While there is, admittedly, a love triangle in this novel, it was one I enjoyed - embraced, in fact - as it built upon the plot and Verity's character both in admirable ways. For one, the inclusion of the love triangle is a welcoming admittance to the fact that Verity does, in fact, have options in life. Although Verity herself instigated her arranged marriage, for a woman during her time period to be able to choose who she wishes to marry is a freedom offered only to few. Henry, the assistant to the village doctor, is a far cry from Nate whose aspirations lie in successfully running his own farm. Not only does Henry make his interest in Verity clear, flattering her in the process, but his profession lends itself to a greater scope of knowledge which is attractive. Additionally, Verity feels safe with Henry, trusting him to help her solve the mystery of her mother's death and though her heart is firmly set in making a home for herself and Nathaniel, she cannot help but wonder how her life would be if she married someone different. The Caged Graves makes effective use of this love triangle, using it to mold Verity into a woman who eventually comes to stand by her beliefs and convictions. Moreover, the ability that Verity has to choose her future makes her a much more confident character and her doubts about her relationship with Nate, a man who seems obliged to court and marry her due to their arranged marriage situation and the fact that Verity's dowry included plenty of fertile land for the farm he dreams of owning, are realistic and this challenge is yet another one to overcome.

Attracted to both of them in different ways, yes - but how, at seventeen, was she supposed to recognize love? 

And though Verity considers another man, despite her engagement to Nate, he is still the one with whom her affections lie. At first, Nate is a difficult character to like. After all, he all but admits that his sisters helped him court Verity through letters and in person he is quick to follow his mother's orders, never taking the initiative to propose to Verity on her own. Nevertheless, rocky start aside, as Verity begins to spend more and more time with Nate, she comes to trust him, rely on him, and even admire the person he truly is. What Verity struggles with, throughout the novel, is identifying her feelings as love. Salerni touches upon this subject only briefly, but it is a lasting theme in the story as Verity, who comes to love her father, her extended family, and even the housekeeper who brought her up, is unable to identify if she loves Nate. While she once thought she did during their letter correspondence which began before she returned to Catawissa, she hesitates to throw the word around lightly. Moreover, doubts and hesitations stand in her way, as they do in every relationship. The Caged Graves, though a historical fiction novel with a mysterious plot line, takes the time to thoroughly flesh out its characters and their relationships to one another, creating complex story lines that are impossible not to become invested in. Yet, perhaps the best aspect of the romance is that I never truly took one side or the other; I wanted Verity to be happy. Salerni builds such a strong bond between the narrator and the reader that it is impossible to feel anything but happiness at the ultimate conclusion of this romantic dilemma, especially as it remains such an important emotional journey for Verity herself, integral to making her embrace the woman she becomes by the end of the novel.

Needless to say, The Caged Graves is near-perfect, drawing together real-life historical elements, fictional characters who feel life-like, and writing which flows seamlessly to create a novel that is not only impossible to put down, but impossible to forget. While I've been lucky enough to read The Caged Graves so early in the year, I already know it's one title I will be recommending for the next twelve months to come.

Review: Written in Red by Anne Bishop

Title: Written in Red (The Others, #1) 

Author: Anne Bishop

Rating: 4.5 Stars

It has become an accepted rule among readers of Urban Fantasy that the first book in a new series is going to be the worst. When it comes to Written in Red, however, all I really have to say is that Bishop has big shoes to fill if she's going to try to write a sequel even better than this. Although this novel is a little tedious to get into, its unique lore, lovable characters, and exciting plot line will likely leave you bereft by the end, not wanting to leave this world Bishop has spun.

Meg Corbyn is a woman on the run. As a blood prophet - one who can see the future when she cuts herself - she has been locked up and held by a Controller all her life. Now, desperate for freedom, Meg flees to the only place she can think of: the Compound. The Compound is home to the Others, creatures who wear human skin but are anything but. Ranging from werewolves and vampires to beings that can turn into birds or control the weather, the only sure thing about the Others is that they are dangerous. The Compound isn't the most welcoming of places for a human, but even upon first sight, Simon, the head of the Compound, knows Meg is no ordinary human. When Meg applies for the position of Human Liaison at the Compound, Simon agrees to let her have it...at least until he can figure out how much a threat she truly is. 

What makes Written in Red such a spectacular introduction to this series is the seamless manner in which the story is told. Bishop shifts from the third person perspectives of Meg, Simon, and Monty, a human policeman in charge of handling any crimes or misdemeanors involving the Others. Although multiple perspectives is often jarring for readers, Bishop handles this aspect of the story really well, only shifting the point of view when it is beneficial to the plot line and not because of a new chapter. Moreover, these different perspectives help build a more thorough picture of the world Bishop has created - through human eyes, through Other eyes, and through the eyes of a woman who doesn't quite belong in either worlds. 

Additionally, Meg is the epitome of a quiet heroine. While I admire a kick-butt female as much as the next reader, I appreciate the silently fierce heroines even more. When we are introduced to Meg, it is easy to see her as weak and frail. After all, she is thin, her skin covered in scars from her cutting, and nervous. Meg has had little interaction with humans or Others, which makes her an unpredictable character, but one whose journey it isn't difficult to become invested in. At her core, Meg is not only a good person, going out of her way to make friends and assimilate into her new lifestyle, but she is also strong, owning a hidden reservoir of courage and loyalty. 

Written in Red is difficult to describe in terms of plot, suffice to say that there are multiple plot lines at play. Simon, the head of the Courtyard, goes off for a period of time to investigate a series of strange occurrences outside of his compound. Meanwhile, Asia, a young woman relaying information about the Others in hopes of landing her own detective show, is snooping around the Compound with malicious intent. At the same time, however, Meg is witness to prophecies of her death, the kidnapping of a wolf pup, Sam, among other trouble. Nevertheless, despite the fact that the plot of this novel is involved, these plot threads subtly come together, never overwhelming the story line, and Bishop manages to still make this a character-centric book. 

For me, what made this book so irresistible to put down was the fact that it was comprised of relationships. Although there is a very understated romance in the novel - one that will likely gain more traction as the series progresses - the main appeal of this series is Meg and the manner in which she startles the Others, forcing them to change their lifestyles and acknowledge her presence. With Sam, Simon's nephew who has been an unresponsive pup ever since watching his mother die, Meg makes efforts to gain trust and open the child up to others, finally making him play, eat, act, and shift like a werewolf. Similarly, Meg maintains strong bonds with the humans in the Compound, delivers movies on time to the vampires, feeds the ponies carrots and sugar cubes, talks on equal par with Simon (no longer frightened of him as the book wears on), and amuses the crows. With time, she becomes part of the Compound and their culture, though different from that of the humans, soon grows to include her, which is the main highlight of this novel. It is, for all its deceptive appearance, a feel-good story through-and-through. 

Ultimately, I cannot recommend Bishop's latest enough. Not only does it introduce a vivid and original new world, not to mention a set-up of paranormal creatures that has them all living together instead of snarling at one another's throats, but it also sketches characters that worm their way into your heart. In my eyes, there is nothing better than a novel that can inspire emotion and Written in Red does that - in spades. 

Books I Cannot Review: The Miseducation of Cameron Post by emily danforth & Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Saenz

I rarely come across books that I cannot review; that leave me speechless, both in mind and body. Kristin Cashore's Fire is a novel I've re-read numerous times, but I can never - never - convey the depth of emotion that novel inspires in me, despite the fact that I can quote from it. Within the past month, however, I've been lucky enough to read two remarkable LGBT novels for teens, both of which have left me spell-bound and speechless. And, truly, I have tried, time and time again, to write reviews for these novels. I want to write reviews for these books because they deserve reviews and they deserve to be read and mulled over and cherished on a shelf. Yet, the words fail me. In a desperate attempt, I have tried to string together a few phrases, a couple of sentences, in an effort to spread my love for these two novels. Even if these non-reviews don't convince you, I certainly hope that someone, someday, will thrust these into your hands and make you read them. It's worth it.

The Miseducation of Cameron Post by emily danforth is a novel I've been meaning to read for a long time - a very long time. It went onto my TBR even before it was released because of the acclaim it received and, even after winning an award, it went unread on my Kindle. I don't know why. It is a quiet, moving, and utterly fierce novel. It’s the type of story that creeps up on you; the prose keeps you flipping the pages, but it isn’t until much later that the full emotional impact finally hits. At somewhere around the 80% mark, tears leaked from my eyes; slowly, and then all at once, pouring out at speeds I couldn’t even have imagined. You see, this is a story of one girl's struggle to reconcile her sexuality and, although the narration can drag and even become dull at parts, it is incredibly moving all the same. Cameron's life, full of a multitude of sexual encounters, define her, slowly but surely, and the themes of feminism - of encouraging women to be proud of their sexuality and unafraid to stand up for it - is astounding. 

Nevertheless, this novel truly gutted me in its historical depiction. danforth's debut is set in the late 1900s and, as such, the LGBT movement isn't as prevalent as it is today. In Cameron's small town, a religious and conservative area, her identity as a lesbian is looked at as a sin. As such, she is sent to a religious camp over the summer in an effort to "cure" her. It doesn't really hit you, until you meet the teens at this camp, the type of behavior they've had to put up with all their lives. Everyone, from their parents to their teachers, are telling these teens that they are wrong, that they are bad, that they are horrible for loving someone who isn't of the opposite sex and the manner in which this is conveyed - the events that occur at this camp - just destroyed me. I've never considered the LGBT community in this manner before and, truly, danforth's debut is not only inspiring and feminist, but eye-opening as well. It isn't merely the journey of a girl, it is the journey and struggle of people everywhere, homosexual or heterosexual. It demands to be read. Much like The Book Thief, this is one book you're better off just experiencing - words do it no justice.

While The Miseducation of Cameron Post can come off as an overly sexual novel, with Cameron experiencing many sexual encounters over the course of her life, Aristotle and Dante Discover the Secrets of the Universe is far more subtle in its exploration of homosexuality. It, too, is a quiet novel, slow to begin and often meandering, but beautiful. Saenz's writing is lush and gorgeous, capturing the complexity of adolescence and depicting an immigrant household in a realistic manner. Ari and Dante both experience inner dilemmas in reconciling their Mexican backgrounds with their American lifestyle and, moreover, with the stereotypes and stigmas they face in the world at large. Saenz is one of the few - actually, the only - author to truly understand this universal issue that all immigrant children undergo. As a first-generation Indian raised in America, I can testify to this fact myself. It isn't easy to fully embrace your heritage, but it doesn't feel right to disregard it either. At the same time, how much of your culture lies in stereotypes and how much of it lies in its true roots? It's a difficult situation to comprehend and convey, but Saenz really fleshes it out thoroughly between these two friends, so different and yet so alike.

Aristotle and Dante Discover the Secrets of the Universe revolves around the friendship of these two boys, Ari and Dante. While Ari, the narrator, comes from a household where his older brother is in jail - and is never discussed - and his father is a veteran of war - another issue not discussed - Dante hails from an intellectual environment, an only child with parents who have made it beyond the stereotypical minimum-wage jobs their race is associated with. Although both boys are incredibly different, their growing friendship is complex and deep, certainly one to root for throughout the narrative. Moreover, I love the tidbits of truth and contemplation that lie within each chapter. Saenz's writing looks into your soul. While they may script Ari's thoughts, they reflect universal emotions in such a subtle manner, connecting the reader instantly with the novel.

Additionally, the relationships that Ari and Dante sustain with their parents are also just as important as the relationship they sustain with each other. I feel as if I've been repeating myself, though. Aristotle and Dante Discover the Secrets of the Universe is about many things - it is about growing up, about accepting yourself, about maintaining friendships, about facing the past, about living with disappointment and anger, but mostly about the complexity of the relationships we sustain throughout our lives. It truly is a beautiful little book, worthy of its awards and transcending all barriers - age, sexuality, gender. Just read it. I promise, you won't regret it.